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Today's Stichomancy for Rudi Bakhtiar

The first excerpt represents the past or something you must release, and is drawn from Ferragus by Honore de Balzac:

wild frenzies of which it is impossible to describe the awful anguish. All sorrows are individual; their effects are not subjected to any fixed rule. Certain men will stop their ears to hear nothing; some women close their eyes hoping never to see again; great and splendid souls are met with who fling themselves into sorrow as into an abyss. In the matter of despair, all is true.

CHAPTER V

CONCLUSION

Jules escaped from his brother's house and returned home, wishing to pass the night beside his wife, and see till the last moment that celestial creature. As he walked along with an indifference to life


Ferragus
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The New Machiavelli by H. G. Wells:

purpose, just as we did, but they saw it not in terms of a growing collective understanding, but in terms of functionaries, legislative change, and methods of administration. . . .

It wasn't clear at first how we differed. The Baileys were very anxious to win me to co-operation, and I was quite prepared at first to identify their distinctive expressions with phrases of my own, and so we came very readily into an alliance that was to last some years, and break at last very painfully. Altiora manifestly liked me, I was soon discussing with her the perplexity I found in placing myself efficiently in the world, the problem of how to take hold of things that occupied my thoughts, and she was sketching out careers

The third excerpt represents the future or something you must embrace, and is drawn from Tess of the d'Urbervilles, A Pure Woman by Thomas Hardy:

an aviary. Angel's eye at last fell upon Tess, the hindmost of the four; she, being full of suppressed laughter at their dilemma, could not help meeting his glance radiantly.

He came beneath them in the water, which did not rise over his long boots; and stood looking at the entrapped flies and butterflies.

"Are you trying to get to church?" he said to Marian, who was in front, including the next two in his remark, but avoiding Tess.

"Yes, sir; and 'tis getting late; and my colour do come


Tess of the d'Urbervilles, A Pure Woman