The first excerpt represents the past or something you must release, and is drawn from Familiar Studies of Men and Books by Robert Louis Stevenson: has perhaps the least to say. His poems seem to bear
testimony rather to the fashion of rhyming, which
distinguished the age, than to any special vocation in the
man himself. Some of them are drawing-room exercises and the
rest seem made by habit. Great writers are struck with
something in nature or society, with which they become
pregnant and longing; they are possessed with an idea, and
cannot be at peace until they have put it outside of them in
some distinct embodiment. But with Charles literature was an
object rather than a mean; he was one who loved bandying
words for its own sake; the rigidity of intricate metrical
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Princess of Parms by Edgar Rice Burroughs: "This ruse will be discovered later," he cheerfully
explained, "when they check up my weights, measurements,
and other personal identification data, but it will be
several months before this is done and our mission should
be accomplished or have failed long before that time."
The next few days were spent by Kantos Kan in teaching
me the intricacies of flying and of repairing the dainty
little contrivances which the Martians use for this purpose.
The body of the one-man air craft is about sixteen feet
long, two feet wide and three inches thick, tapering to a
point at each end. The driver sits on top of this plane upon
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The third excerpt represents the future or something you must embrace, and is drawn from Timaeus by Plato: structure.
These elements, therefore, God employed for the sake of distributing
moisture from the belly into the veins, weaving together a network of fire
and air like a weel, having at the entrance two lesser weels; further he
constructed one of these with two openings, and from the lesser weels he
extended cords reaching all round to the extremities of the network. All
the interior of the net he made of fire, but the lesser weels and their
cavity, of air. The network he took and spread over the newly-formed
animal in the following manner:--He let the lesser weels pass into the
mouth; there were two of them, and one he let down by the air-pipes into
the lungs, the other by the side of the air-pipes into the belly. The
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