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Today's Stichomancy for Tom Hanks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Large Catechism by Dr. Martin Luther:

been perfectly fulfilled.

I am of opinion indeed, that here one will find his hands full, [and will have enough] to do to observe these, namely, meekness, patience, and love towards enemies, chastity, kindness, etc., and what such virtues imply. But such works are not of value and make no display in the eyes of the world; for they are not peculiar and conceited works and restricted to particular times, places, rites, and customs, but are common, every-day domestic works which one neighbor can practice toward another; therefore they are not of high esteem.

But the other works cause people to open their eyes and ears wide, and men aid to this effect by the great display, expense, and magnificent

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

hollowed and polished by the contact of the countless Wieroo bodies that had leaned against them for how long a period of time Bradley could not even guess. Everything about the place carried the impression of hoary age. The carved pedestals were black with use, the wooden seats were worn hollow, the floor of stone slabs was polished by the contact of possibly millions of naked feet and worn away in the aisles between the pedestals so that the latter rested upon little mounds of stone several inches above the general level of the floor.

Finally, seeing that no one came to collect, Bradley arose and started for the doorway. He had covered half the distance when


Out of Time's Abyss
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Turn of the Screw by Henry James:

seen in him of the approach of immediate fear. It was as if he were suddenly afraid of me--which struck me indeed as perhaps the best thing to make him. Yet in the very pang of the effort I felt it vain to try sternness, and I heard myself the next instant so gentle as to be almost grotesque. "You want so to go out again?"

"Awfully!" He smiled at me heroically, and the touching little bravery of it was enhanced by his actually flushing with pain. He had picked up his hat, which he had brought in, and stood twirling it in a way that gave me, even as I was just nearly reaching port, a perverse horror of what I was doing. To do it in ANY way was an act of violence, for what did

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Summer by Edith Wharton:

Charity did not think the wine as good as sarsaparilla, but she sipped a mouthful for the pleasure of doing what he did, and of fancying herself alone with him in foreign countries. The illusion was increased by their being served by a deep-bosomed woman with smooth hair and a pleasant laugh, who talked to Harney in unintelligible words, and seemed amazed and overjoyed at his answering her in kind. At the other tables other people sat, mill-hands probably, homely but pleasant looking, who spoke the same shrill jargon, and looked at Harney and Charity with friendly eyes; and