Today's Stichomancy for Will Smith

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Talisman by Walter Scott:

the banished adventurer from Scotland.

Accordingly, the Queen and her household were startled with a visit from Sir Thomas de Vaux, requesting the present attendance of the Lady Calista of Montfaucon, the Queen's principal bower- woman, upon King Richard.

"What am I to say, madam?" said the trembling attendant to the Queen, "He will slay us all."

"Nay, fear not, madam," said De Vaux. "His Majesty hath spared the life of the Scottish knight, who was the chief offender, and bestowed him upon the Moorish physician. He will not be severe upon a lady, though faulty."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Master of the World by Jules Verne:

the plains of North Carolina, seeking the Atlantic Ocean? Or would he head to the west to reach the Pacific? Perhaps he would seek, to the south, the waters of the Gulf of Mexico. When day came how should I recognize which sea we were upon, if the horizon of water and sky encircled us on every side?

Several hours passed; and how long they seemed to me! I made no effort to find forgetfulness in sleep. Wild and incoherent thoughts assailed me. I felt myself swept over worlds of imagination, as I was swept through space, by an aerial monster. At the speed which the "Terror" possessed, whither might I not be carried during this interminable night? I recalled the unbelievable voyage of the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Melmoth Reconciled by Honore de Balzac:

"Yes," said the agent of police; "he is at the Gymnase, and has no suspicion of anything."

Castanier fidgeted on his chair, and made as if he would leave the theatre, but Melmoth's hand lay on his shoulder, and he was obliged to sit and watch; the hideous power of the man produced an effect like that of nightmare, and he could not move a limb. Nay, the man himself was the nightmare; his presence weighed heavily on his victim like a poisoned atmosphere. When the wretched cashier turned to implore the Englishman's mercy, he met those blazing eyes that discharged electric currents, which pierced through him and transfixed him like darts of steel.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Cousin Pons by Honore de Balzac:

men: of all the mysteries of generation, this most defies the ambitious modern scientific investigator. In the second--the ancient Egyptians (we are told) invented incubator-stoves for hatching eggs; what would be thought of Egyptians who should neglect to fill the beaks of the callow fledglings? Yet this is precisely what France is doing. She does her utmost to produce artists by the artificial heat of competitive examination; but, the sculptor, painter, engraver, or musician once turned out by this mechanical process, she no more troubles herself about them and their fate than the dandy cares for yesterday's flower in his buttonhole. And so it happens that the really great man is a Greuze, a Watteau, a Felicien David, a Pagnesi,