| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wheels of Chance by H. G. Wells: beyond the bar, walked with a resolute air to the foot of the
staircase, and passed out of sight. You conceive the backward
pitch of that exceptionally shaped cranium? Incredulous eyes
stared into one another's in the bar, as his paces, muffled by
the stair carpet, went up to the landing, turned, reached the
passage and walked into the dining-room overhead.
"It wasn't that one at all, miss," said the ostler,"I'd SWEAR"
"Well, that's Mr. Beaumont," said the barmaid, "--anyhow."
Their conversation hung comatose in the air, switched up by
Bechamel. They listened together. His feet stopped. Turned. Went
out of the diningroom. Down the passage to the bedroom. Stopped
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Aspern Papers by Henry James: of the disposition to put up with my company for the sake of my dollars.
I said to myself that after all I could not abandon Miss Tita, and I continued
to say this even while I observed that she quite failed to comply with my
earnest request (I had given her two or three addresses, at little towns,
post restante) that she would let me know how she was getting on.
I would have made my servant write to me but that he was unable to manage
a pen. It struck me there was a kind of scorn in Miss Tita's silence
(little disdainful as she had ever been), so that I was uncomfortable
and sore. I had scruples about going back and yet I had others
about not doing so, for I wanted to put myself on a better footing.
The end of it was that I did return to Venice on the twelfth day;
|