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Today's Stichomancy for Adolf Hitler

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Captain Stormfield by Mark Twain:

you want is talk."

"Well, there's England, Sandy - the English district of heaven."

"Yes, but it is not so very much better than this end of the heavenly domain. As long as you run across Englishmen born this side of three hundred years ago, you are all right; but the minute you get back of Elizabeth's time the language begins to fog up, and the further back you go the foggier it gets. I had some talk with one Langland and a man by the name of Chaucer - old-time poets - but it was no use, I couldn't quite understand them, and they couldn't quite understand me. I have had letters from them since, but it is such broken English I can't make it out. Back of those

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sarrasine by Honore de Balzac:

substance, a being without life, or life without action. She was under the spell of that timid curiosity which impels women to seek perilous excitement, to gaze at chained tigers and boa-constrictors, shuddering all the while because the barriers between them are so weak. Although the little old man's back was bent like a day-laborer's, it was easy to see that he must formerly have been of medium height. His excessive thinness, the slenderness of his limbs, proved that he had always been of slight build. He wore black silk breeches which hung about his fleshless thighs in folds, like a lowered veil. An anatomist would instinctively have recognized the symptoms of consumption in its advanced stages, at sight of the tiny legs which served to support

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Ball at Sceaux by Honore de Balzac:

nettled by his politeness as she might have been by an impertinence, began talking to her brother in a louder voice than good taste enjoined; she turned and tossed her head, gesticulated eagerly, and laughed for no particular reason, less to amuse her brother than to attract the attention of the imperturbable stranger. None of her little arts succeeded. Mademoiselle de Fontaine then followed the direction in which his eyes were fixed, and discovered the cause of his indifference.

In the midst of the quadrille, close in front of them, a pale girl was dancing; her face was like one of the divinities which Girodet has introduced into his immense composition of French Warriors received by

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wizard of Oz by L. Frank Baum:

"Oh, I am a ventriloquist," said the little man. "I can throw the sound of my voice wherever I wish, so that you thought it was coming out of the Head. Here are the other things I used to deceive you." He showed the Scarecrow the dress and the mask he had worn when he seemed to be the lovely Lady. And the Tin Woodman saw that his terrible Beast was nothing but a lot of skins, sewn together, with slats to keep their sides out. As for the Ball of Fire, the false Wizard had hung that also from the ceiling. It was really a ball of cotton, but when oil was poured upon it the ball burned fiercely.

"Really," said the Scarecrow, "you ought to be ashamed of


The Wizard of Oz