| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Protagoras by Plato: happen to him if he associates with you. I have no more to say.
Protagoras answered: Young man, if you associate with me, on the very
first day you will return home a better man than you came, and better on
the second day than on the first, and better every day than you were on the
day before.
When I heard this, I said: Protagoras, I do not at all wonder at hearing
you say this; even at your age, and with all your wisdom, if any one were
to teach you what you did not know before, you would become better no
doubt: but please to answer in a different way--I will explain how by an
example. Let me suppose that Hippocrates, instead of desiring your
acquaintance, wished to become acquainted with the young man Zeuxippus of
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Long Odds by H. Rider Haggard: hold of it, I turned and made a bolt for the box. I got my foot up on
the wheel and flung my body forward on to the waggon, and there I
stopped as if I were frozen, and no wonder, for as I was about to spring
up I heard the lion behind me, and next second I felt the brute, ay, as
plainly as I can feel this table. I felt him, I say, sniffing at my
left leg that was hanging down.
"My word! I did feel queer; I don't think that I ever felt so queer
before. I dared not move for the life of me, and the odd thing was that
I seemed to lose power over my leg, which developed an insane sort of
inclination to kick out of its own mere motion--just as hysterical
people want to laugh when they ought to be particularly solemn. Well,
Long Odds |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from My Bondage and My Freedom by Frederick Douglass: get them; and it was evidence of some courage, for any so
educated to get the better of their fears.
The custom of providing separate cars for the accommodation of
colored travelers, was established on nearly all the railroads of
New England, a dozen years ago. Regarding this custom as
fostering the spirit of caste, I made it a rule to seat myself in
the cars for the accommodation of passengers generally. Thus
seated, I was sure to be called upon to betake myself to the
"_Jim Crow car_." Refusing to obey, I was often dragged out of
my seat, beaten, and severely bruised, by conductors and
brakemen. Attempting to start from Lynn, one day, for
My Bondage and My Freedom |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Count of Monte Cristo by Alexandre Dumas: designed to induce those of whom he had spoken to appear at
the banker's in their gayest equipages, -- dazzling them by
promises of shares in schemes which have since turned every
brain, and in which Danglars was just taking the initiative.
In fact, at half-past eight in the evening the grand salon,
the gallery adjoining, and the three other drawing-rooms on
the same floor, were filled with a perfumed crowd, who
sympathized but little in the event, but who all
participated in that love of being present wherever there is
anything fresh to be seen. An Academician would say that the
entertainments of the fashionable world are collections of
The Count of Monte Cristo |
