The first excerpt represents the past or something you must release, and is drawn from Tom Sawyer Abroad by Mark Twain: go about a mile toward the bottom; and when I come
up, he says:
"Now lay on your back and float till you're rested
and got your pluck back, then I'll dip the ladder in
the water and you can climb aboard."
I done it. Now that was ever so smart in Tom, be-
cause if he had started off somewheres else to drop
down on the sand, the menagerie would 'a' come
along, too, and might 'a' kept us hunting a safe place
till I got tuckered out and fell.
And all this time the lions and tigers was sorting out
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Witch, et. al by Anton Chekhov: . . Between two and three o'clock people ran up: again there was
a jingling of bells: they were bringing the bride! The church was
full, the candelabra were lighted, the choir were singing from
music books as old Tsybukin had wished it. The glare of the
lights and the bright coloured dresses dazzled Lipa; she felt as
though the singers with their loud voices were hitting her on the
head with a hammer. Her boots and the stays, which she had put on
for the first time in her life, pinched her, and her face looked
as though she had only just come to herself after fainting; she
gazed about without understanding. Anisim, in his black coat with
a red cord instead of a tie, stared at the same spot lost in
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The third excerpt represents the future or something you must embrace, and is drawn from The Lesson of the Master by Henry James: want to DO something, isn't it?" Miss Fancourt pursued, dropping
one train in her quickness to take up another, an accident that was
common with her. So these two young persons sat discussing high
themes in their eclectic drawing-room, in their London "season" -
discussing, with extreme seriousness, the high theme of perfection.
It must be said in extenuation of this eccentricity that they were
interested in the business. Their tone had truth and their emotion
beauty; they weren't posturing for each other or for some one else.
The subject was so wide that they found themselves reducing it; the
perfection to which for the moment they agreed to confine their
speculations was that of the valid, the exemplary work of art. Our
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