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Today's Stichomancy for Akira Kurosawa

The first excerpt represents the past or something you must release, and is drawn from Tom Sawyer Abroad by Mark Twain:

go about a mile toward the bottom; and when I come up, he says:

"Now lay on your back and float till you're rested and got your pluck back, then I'll dip the ladder in the water and you can climb aboard."

I done it. Now that was ever so smart in Tom, be- cause if he had started off somewheres else to drop down on the sand, the menagerie would 'a' come along, too, and might 'a' kept us hunting a safe place till I got tuckered out and fell.

And all this time the lions and tigers was sorting out

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Witch, et. al by Anton Chekhov:

. . Between two and three o'clock people ran up: again there was a jingling of bells: they were bringing the bride! The church was full, the candelabra were lighted, the choir were singing from music books as old Tsybukin had wished it. The glare of the lights and the bright coloured dresses dazzled Lipa; she felt as though the singers with their loud voices were hitting her on the head with a hammer. Her boots and the stays, which she had put on for the first time in her life, pinched her, and her face looked as though she had only just come to herself after fainting; she gazed about without understanding. Anisim, in his black coat with a red cord instead of a tie, stared at the same spot lost in

The third excerpt represents the future or something you must embrace, and is drawn from The Lesson of the Master by Henry James:

want to DO something, isn't it?" Miss Fancourt pursued, dropping one train in her quickness to take up another, an accident that was common with her. So these two young persons sat discussing high themes in their eclectic drawing-room, in their London "season" - discussing, with extreme seriousness, the high theme of perfection. It must be said in extenuation of this eccentricity that they were interested in the business. Their tone had truth and their emotion beauty; they weren't posturing for each other or for some one else.

The subject was so wide that they found themselves reducing it; the perfection to which for the moment they agreed to confine their speculations was that of the valid, the exemplary work of art. Our