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Today's Stichomancy for Al Pacino

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

really. Why weren't you there? That Persian tutor again! I'm afraid you are working too hard. And what did the Rani do, Mr. Holmcroft? It's like the Arabian Nights, only with real jewels--'

'Oh, I say, Holmcroft, this is too much luck, you know. Regular sweepstakes, by Jove!' And Captain Drake lingered on the fringe of the situation.

'Perhaps I have been greedy,' said the Assistant Secretary, deprecatingly. 'I'll--'

'Not in the very least! That is,' exclaimed Mrs. Violet, pouting, 'if I'M to be considered. We'll sit out all but the waltzes, and you shall tell me official secrets about the Rani. She put us up

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tapestried Chamber by Walter Scott:

recorded in the minstrelsy of the Scottish Border, and others are mentioned in contemporary chronicles.

At the species of singular combat which we have described the Laird's Jock was unrivalled, and no champion of Cumberland, Westmoreland, or Northumberland could endure the sway of the huge two-handed sword which he wielded, and which few others could even lift. This "awful sword," as the common people term it, was as dear to him as Durindana or Fushberta to their respective masters, and was nearly as formidable to his enemies as those renowned falchions proved to the foes of Christendom. The weapon had been bequeathed to him by a celebrated English outlaw named

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Life of the Spider by J. Henri Fabre:

It is not uninteresting to watch the Epeira at dinner. I light upon one, the Banded Epeira, at the moment, about three o'clock in the afternoon, when she has captured a Locust. Planted in the centre of the web, on her resting-floor, she attacks the venison at the joint of a haunch. There is no movement, not even of the mouth-parts, as far as I am able to discover. The mouth lingers, close-applied, at the point originally bitten. There are no intermittent mouthfuls, with the mandibles moving backwards and forwards. It is a sort of continuous kiss.

I visit my Epeira at intervals. The mouth does not change its place. I visit her for the last time at nine o'clock in the


The Life of the Spider
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Father Goriot by Honore de Balzac:

surprised at my proposal, nor at the demand I make. Forty-seven out of every sixty great matches here in Paris are made after just such a bargain as this. The Chamber of Notaries compels my gentleman to----"

"What must I do?" said Rastignac, eagerly interrupting Vautrin's speech.

"Next to nothing," returned the other, with a slight involuntary movement, the suppressed exultation of the angler when he feels a bite at the end of his line. "Follow me carefully! The heart of a girl whose life is wretched and unhappy is a sponge that will thirstily absorb love; a dry sponge that swells at the first drop


Father Goriot