| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Salome by Oscar Wilde: par les pretres. Elle est plus rouge que les pieds de celui qui
revient d'une foret ou il a tue un lion et vu des tigres dores. Ta
bouche est comme une branche de corail que des pecheurs ont trouvee
dans le crepuscule de la mer et qu'ils reservent pour les rois . . .
! Elle est comme le vermillon que les Moabites trouvent dans les
mines de Moab et que les rois leur prennent. Elle est comme l'arc
du roi des Perses qui est peint avec du vermillon et qui a des
cornes de corail. Il n'y a rien au monde d'aussi rouge que ta
bouche . . . laisse-moi baiser ta bouche.
IOKANAAN. Jamais! fille de Babylone! Fille de Sodome! jamais.
SALOME. Je baiserai ta bouche, Iokanaan. Je baiserai ta bouche.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Turn of the Screw by Henry James: that hush in which something gathers or crouches.
The change was actually like the spring of a beast.
In the first weeks the days were long; they often, at their finest,
gave me what I used to call my own hour, the hour when, for my pupils,
teatime and bedtime having come and gone, I had, before my final retirement,
a small interval alone. Much as I liked my companions, this hour was
the thing in the day I liked most; and I liked it best of all when,
as the light faded--or rather, I should say, the day lingered and the last
calls of the last birds sounded, in a flushed sky, from the old trees--
I could take a turn into the grounds and enjoy, almost with a sense
of property that amused and flattered me, the beauty and dignity of
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