| The first excerpt represents the past or something you must release, and is drawn from Father Damien by Robert Louis Stevenson: bended knees. It is the least defect of such a method of
portraiture that it makes the path easy for the devil's advocate,
and leaves the misuse of the slanderer a considerable field of
truth. For the truth that is suppressed by friends is the readiest
weapon of the enemy. The world, in your despite, may perhaps owe
you something, if your letter be the means of substituting once for
all a credible likeness for a wax abstraction. For, if that world
at all remember you, on the day when Damien of Molokai shall be
named a Saint, it will be in virtue of one work: your letter to the
Reverend H. B. Gage.
You may ask on what authority I speak. It was my inclement destiny
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Babbitt by Sinclair Lewis: "You bet it's beautiful, friend. That's the Shelling-Horton Steel Plant, and
they tell me old John Shelling made a good three million bones out of
munitions during the war!" the man with the velour hat said reverently.
"I didn't mean--I mean it's lovely the way the light pulls that picturesque
yard, all littered with junk, right out of the darkness," said Paul.
They stared at him, while Babbitt crowed, "Paul there has certainly got one
great little eye for picturesque places and quaint sights and all that stuff.
'D of been an author or something if he hadn't gone into the roofing line."
Paul looked annoyed. (Babbitt sometimes wondered if Paul appreciated his
loyal boosting.) The man in the velour hat grunted, "Well, personally, I think
Shelling-Horton keep their works awful dirty. Bum routing. But I don't
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The third excerpt represents the future or something you must embrace, and is drawn from The Patchwork Girl of Oz by L. Frank Baum: and as happy and cheerful as possible, for we are
likely to meet with plenty of trouble on our way."
It was nearly sundown when they came to the edge
of the forest and saw spread out before them a
delightful landscape. There were broad blue fields
stretching for miles over the valley, which was
dotted everywhere with pretty, blue domed houses,
none of which, however, was very near to the place
where they stood. Just at the point where the path
left the forest stood a tiny house covered with
leaves from the trees, and before this stood a
 The Patchwork Girl of Oz |