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Today's Stichomancy for Alanis Morissette

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

banqueting hall. But by and by he heard a tremendous grunting and squealing, and then a sudden scampering, like that of small, hard hoofs over a marble floor, while the voices of the mistress and her four handmaidens were screaming all together, in tones of anger and derision. Eurylochus could not conceive what had happened, unless a drove of swine had broken into the palace, attracted by the smell of the feast. Chancing to cast his eyes at the fountain, he saw that it did not shift its shape, as formerly, nor looked either like a long-robed man, or a lion, a tiger, a wolf, or an ass. It looked like nothing but a hog, which lay wallowing in the marble basin, and filled it


Tanglewood Tales
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Figure in the Carpet by Henry James:

indeed no sense of humour and, with her pretty way of holding her head on one side, was one of those persons whom you want, as the phrase is, to shake, but who have learnt Hungarian by themselves. She conversed perhaps in Hungarian with Corvick; she had remarkably little English for his friend. Corvick afterwards told me that I had chilled her by my apparent indisposition to oblige them with the detail of what Vereker had said to me. I allowed that I felt I had given thought enough to that indication: hadn't I even made up my mind that it was vain and would lead nowhere? The importance they attached to it was irritating and quite envenomed my doubts.

That statement looks unamiable, and what probably happened was that

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri:

That I am hinder'd by the rock, wherewith This arrogant neck is tam'd, whence needs I stoop My visage to the ground, him, who yet lives, Whose name thou speak'st not him I fain would view. To mark if e'er I knew him? and to crave His pity for the fardel that I bear. I was of Latiun, of a Tuscan horn A mighty one: Aldobranlesco's name My sire's, I know not if ye e'er have heard. My old blood and forefathers' gallant deeds Made me so haughty, that I clean forgot


The Divine Comedy (translated by H.F. Cary)
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Betty Zane by Zane Grey:

that you rode superbly," murmured Betty.

"Well, to be honest, I would not care to take that ride again. It certainly was not fair to the horse."

"How do you like the fort by this time?"

"Miss Zane, I am learning to love this free, wild life. I really think I was made for the frontier. The odd customs and manners which seemed strange at first have become very acceptable to me now. I find everyone so honest and simple and brave. Here one must work to live, which is right. Do you know, I never worked in my life until I came to Fort Henry. My life was all uselessness, idleness."

"I can hardly believe that," answered Betty. "You have learned to dance and


Betty Zane