Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Albert Einstein

The first excerpt represents the past or something you must release, and is drawn from Edition of The Ambassadors by Henry James:

history, and he continued simply to mark his appreciation of the happy truth. "It's a tremendous comfort to feel how one can trust him." And then again while for a little she said nothing--as if after all to HER trust there might be a special limit: "I mean for making a good show to them."

"Yes," she thoughtfully returned--"but if they shut their eyes to it!"

Strether for an instant had his own thought. "Well perhaps that won't matter!"

"You mean because he probably--do what they will--won't like them?"

"Oh 'do what they will'--! They won't do much; especially if Sarah

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

impression of high summer to my Scottish body; although the chestnuts were already picked out by the autumn, and the poplars, that here began to mingle with them, had turned into pale gold against the approach of winter.

There was something in this landscape, smiling although wild, that explained to me the spirit of the Southern Covenanters. Those who took to the hills for conscience' sake in Scotland had all gloomy and bedevilled thoughts; for once that they received God's comfort they would be twice engaged with Satan; but the Camisards had only bright and supporting visions. They dealt much more in blood, both given and taken; yet I find no obsession of the Evil One in their

The third excerpt represents the future or something you must embrace, and is drawn from Camille by Alexandre Dumas:

to be able to see, close at hand, women whom they might never have another occasion of meeting, and whom they envied perhaps in secret for their easy pleasures. The Duchess of F. elbowed Mlle. A., one of the most melancholy examples of our modern courtesan; the Marquis de T. hesitated over a piece of furniture the price of which was being run high by Mme. D., the most elegant and famous adulteress of our time; the Duke of Y., who in Madrid is supposed to be ruining himself in Paris, and in Paris to be ruining himself in Madrid, and who, as a matter of fact, never even reaches the limit of his income, talked with Mme. M., one of our wittiest story-tellers, who from time to time writes what she


Camille