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Today's Stichomancy for Albert Einstein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Intentions by Oscar Wilde:

to the shallow dogmas of some vague system of abstract ethics. They have their Peace Societies, so dear to the sentimentalists, and their proposals for unarmed International Arbitration, so popular among those who have never read history. But mere emotional sympathy will not do. It is too variable, and too closely connected with the passions; and a board of arbitrators who, for the general welfare of the race, are to be deprived of the power of putting their decisions into execution, will not be of much avail. There is only one thing worse than Injustice, and that is Justice without her sword in her hand. When Right is not Might, it is Evil.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Padre Ignacio by Owen Wister:

sparkled upon the exploring Gaston, conjuring the radiant halls of Europe before him. "The Barber of Seville!" he presently exclaimed. "And I happened to hear it in Seville."

But Seville's name brought over the Padre a new rush of home thoughts. "Is not Andalusia beautiful?" he said. "Did you see it in April, when the flowers come?"

"Yes," said Gaston, among the music. "I was at Cordova then."

"Ah, Cordova!" murmured the Padre.

"Semiramide!" cried Gaston, lighting upon that opera. "That was a week!" I should like to live it over, every day and night of it!"

"Did you reach Malaga from Marseilles or Gibraltar?" asked the Padre,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Babbitt by Sinclair Lewis:

breakfast." But to Babbitt, lying in wait in the lower hall, the doctor sighed, "I don't like the feeling there in her belly. There's some rigidity and some inflammation. She's never had her appendix out has she? Um. Well, no use worrying. I'll be here first thing in the morning, and meantime she'll get some rest. I've given her a hypo. Good night."

Then was Babbitt caught up in the black tempest.

Instantly all the indignations which had been dominating him and the spiritual dramas through which he had struggled became pallid and absurd before the ancient and overwhelming realities, the standard and traditional realities, of sickness and menacing death, the long night, and the thousand steadfast implications of married life. He crept back to her. As she drowsed away in

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Intentions by Oscar Wilde:

Anglo-Indians are in exquisite incongruity with their surroundings. The mere lack of style in the story-teller gives an odd journalistic realism to what he tells us. From the point of view of literature Mr. Kipling is a genius who drops his aspirates. From the point of view of life, he is a reporter who knows vulgarity better than any one has ever known it. Dickens knew its clothes and its comedy. Mr. Kipling knows its essence and its seriousness. He is our first authority on the second-rate, and has seen marvellous things through keyholes, and his backgrounds are real works of art. As for the second condition, we have had Browning, and Meredith is with us. But there is still much to be