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Today's Stichomancy for Albert Einstein

The first excerpt represents the past or something you must release, and is drawn from Somebody's Little Girl by Martha Young:

So she asked: ``Are vou a Lady, ma'am?''

``I hope so, little girl,'' the lady said.

``I thought, maybe, you were a Sister,'' said Bessie Bell.

``No,'' said the lady.

``Like Sister Mary Felice, and Sister Angela, and Sister Helen Vincula,'' said Bessie Bell.

``No,'' said the lady.

``Are you a Mama, then?'' asked Bessie Bell.

The lady looked as if she were going to cry.

But Bessie Bell could see nothing to cry about. The band was still playing ever so gaily, and all the little children looked so

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Ion by Plato:

the Republic, Socrates shows a sympathy with the poetic nature. Also, the manner in which Ion is affected by his own recitations affords a lively illustration of the power which, in the Republic, Socrates attributes to dramatic performances over the mind of the performer. His allusion to his embellishments of Homer, in which he declares himself to have surpassed Metrodorus of Lampsacus and Stesimbrotus of Thasos, seems to show that, like them, he belonged to the allegorical school of interpreters. The circumstance that nothing more is known of him may be adduced in confirmation of the argument that this truly Platonic little work is not a forgery of later times.

ION

The third excerpt represents the future or something you must embrace, and is drawn from The Ruling Passion by Henry van Dyke:

garden. There were beds of flaring red geraniums, which looked as if they were painted; and across the circle of smooth lawn in front of the piazza the name of the hotel was printed in alleged ornamental plants letters two feet long, immensely ugly. Hose had been elevated to the office of postmaster, and lived in a Queen Antic cottage on the main street. Little Billy Ransom had grown up into a very interesting young man, with a decided musical genius, and a tenor voice, which being discovered by an enterprising patron of genius, from Boston, Billy was sent away to Paris to learn to sing. Some day you will hear of his debut in grand opera, as Monsieur Guillaume Rancon.