Today's Stichomancy for Alec Guinness

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

He lowered his arms and pulled open the upper drawer of the writing-table. In the right-hand corner lay a thick manuscript, bound in paper folders, and tied with a string beneath which a letter had been slipped. Next to the manuscript was a small revolver. Granice stared a moment at these oddly associated objects; then he took the letter from under the string and slowly began to open it. He had known he should do so from the moment his hand touched the drawer. Whenever his eye fell on that letter some relentless force compelled him to re-read it.

It was dated about four weeks back, under the letter-head of "The Diversity Theatre."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Stories From the Old Attic by Robert Harris:

different road on this night, realized similarly that he, too, was destined to be wet, and pushed open the door with resolve. However, as he climbed out of the car, the young lady he had been driving home got out also. "Get back in the car," he told her, "or you'll get wet."

"I'll help," the young lady said.

"There's nothing you can do," replied the young man as he reached for the spare in the trunk. "It's really a job for one person, and I've done it before."

"Then I'll watch," replied the young lady. And watch she did. Oh, she held the lug nuts to keep them from getting lost, but to speak

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Figure in the Carpet by Henry James:

had conceived the idea of sending a "special commissioner" to India. Special commissioners had begun, in the "metropolitan press," to be the fashion, and the journal in question must have felt it had passed too long for a mere country cousin. Corvick had no hand, I knew, for the big brush of the correspondent, but that was his brother-in-law's affair, and the fact that a particular task was not in his line was apt to be with himself exactly a reason for accepting it. He was prepared to out-Herod the metropolitan press; he took solemn precautions against priggishness, he exquisitely outraged taste. Nobody ever knew it - that offended principle was all his own. In addition to his

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Buttered Side Down by Edna Ferber:

framework, pad it out to five thousand words, and there you have the ideal short story.

Consequently I feel a certain timidity in confessing that I do not know Fifth Avenue from Hester Street when I see it, because I've never seen it. It has been said that from the latter to the former is a ten-year journey, from which I have gathered that they lie some miles apart. As for Forty-second Street, of which musical comedians carol, I know not if it be a fashionable shopping thoroughfare or a factory district.

A confession of this kind is not only good for the soul, but for the editor. It saves him the trouble of turning to page two.

Buttered Side Down