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Today's Stichomancy for Aleister Crowley

The first excerpt represents the past or something you must release, and is drawn from Statesman by Plato:

'philosophers shall be made kings,' as in the Republic: he merely holds up the ideal, and affirms that in some sense science is really supreme over human life.

He is struck by the observation 'quam parva sapientia regitur mundus,' and is touched with a feeling of the ills which afflict states. The condition of Megara before and during the Peloponnesian War, of Athens under the Thirty and afterwards, of Syracuse and the other Sicilian cities in their alternations of democratic excess and tyranny, might naturally suggest such reflections. Some states he sees already shipwrecked, others foundering for want of a pilot; and he wonders not at their destruction, but at their endurance. For they ought to have perished long ago, if they had depended


Statesman
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Lamentable Tragedy of Locrine and Mucedorus by William Shakespeare:

pugsnando.

SEGASTO. This stoutness, Amadine, contents me not.

AMADINE. Then seek an other that may you better please.

MUCEDORUS. Well, Amadine, it only rests in thee Without delay to make thy choice of three: There stands Segasto, here a shepherd stands, There stands the third; now make thy choice.

MOUSE.

The third excerpt represents the future or something you must embrace, and is drawn from The Secret Agent by Joseph Conrad:

in one sudden movement on to the edge of the bed. Her bare feet, as if poked through the bottom of an unadorned, sleeved calico sack buttoned tightly at neck and wrists, felt over the rug for the slippers while she looked upward into her husband's face.

"I don't know how to manage him," Mr Verloc explained peevishly. "Won't do to leave him downstairs alone with the lights."

She said nothing, glided across the room swiftly, and the door closed upon her white form.

Mr Verloc deposited the cash-box on the night table, and began the operation of undressing by flinging his overcoat on to a distant chair. His coat and waistcoat followed. He walked about the room


The Secret Agent