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Today's Stichomancy for Aleister Crowley

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

Von Weber. From the paintings over which his elaborate fancy brooded, and which grew, touch by touch, into vagueness at which I shuddered the more thrillingly, because I shuddered knowing not why;--from these paintings (vivid as their images now are before me) I would in vain endeavour to educe more than a small portion which should lie within the compass of merely written words. By the utter simplicity, by the nakedness of his designs, he arrested and overawed attention. If ever mortal painted an idea, that mortal was Roderick Usher. For me at least--in the circumstances then surrounding me--there arose out of the pure abstractions which the hypochondriac contrived to throw upon his


The Fall of the House of Usher
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Idylls of the King by Alfred Tennyson:

I cared not for it: a single misty star, Which is the second in a line of stars That seem a sword beneath a belt of three, I never gazed upon it but I dreamt Of some vast charm concluded in that star To make fame nothing. Wherefore, if I fear, Giving you power upon me through this charm, That you might play me falsely, having power, However well ye think ye love me now (As sons of kings loving in pupilage Have turned to tyrants when they came to power)

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Twice Told Tales by Nathaniel Hawthorne:

among them."

As Catharine spoke, her eyes were roaming about the room, in search of him for whose sake security was dear to her. Pearson made a silent appeal to the old man, nor did the latter shrink from the painful task assigned him.

"Sister," he began, in a softened yet perfectly calm tone, "thou tellest us of His love, manifested in temporal good; and now must we speak to thee of that selfsame love, displayed in chastenings. Hitherto, Catharine, thou hast been as one journeying in a darksome and difficult path, and leading an infant by the hand; fain wouldst thou have looked heavenward continually, but still


Twice Told Tales
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Apology by Plato:

unnecessary, on the ground that all his life long he had been preparing against that hour. For the speech breathes throughout a spirit of defiance, (ut non supplex aut reus sed magister aut dominus videretur esse judicum' (Cic. de Orat.); and the loose and desultory style is an imitation of the 'accustomed manner' in which Socrates spoke in 'the agora and among the tables of the money-changers.' The allusion in the Crito may, perhaps, be adduced as a further evidence of the literal accuracy of some parts. But in the main it must be regarded as the ideal of Socrates, according to Plato's conception of him, appearing in the greatest and most public scene of his life, and in the height of his triumph, when he is weakest, and yet his mastery over mankind is greatest, and his habitual irony acquires a new