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Today's Stichomancy for Aleister Crowley

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]:

meant Betsy and Doctor. "There was no use in my putting: 'Laverack setters not allowed,' " she said to herself sorrowfully, and she ran off to tell her Mother of this latest tragedy.

"Yes, I know, Tattine dear," said Mrs. Gerald, in the first pause; "there is neither pity nor mercy in the heart of a setter when he is on the scent of a rabbit, alive or dead--but, Tattine, don't forget they have their good sides, Doctor and Betsy; just think how fond they are of you and me. Why, the very sight of us always makes them beat a tattoo with their tails."

"Yes, I know, Mamma, but I can't feel somehow that tattoos with their tails make up for killing rabbits with their teeth."

CHAPTER II. A MAPLE-WAX MORNING

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Land of Footprints by Stewart Edward White:

and are almost invariably well built. Of most tribes the physical development is remarkably strong and graceful; and a great many of the women will display a rounded, firm, high-breasted physique in marked contrast to the blacks of the lowlands. Of the different tribes possibly the Kikuyus are apt to count the most weakly and spindly examples: though some of these people, perhaps a majority, are well made.

Furthermore, the native differentiates himself still further in impression from our negro in his carriage and the mental attitude that lies behind it. Our people are trying to pattern themselves on white men, and succeed in giving a more or less shambling

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ferragus by Honore de Balzac:

heart causing all bodily cares to be forgotten.

When morning dawned, Clemence had not yet slept. Her mind was absorbed in the low murmur of a conversation which lasted several hours between the brothers; but the thickness of the walls allowed no word which could betray the object of this long conference to reach her ears. Monsieur Desmarets, the notary, went away at last. The stillness of the night, and the singular activity of the senses given by powerful emotion, enabled Clemence to distinguish the scratching of a pen and the involuntary movements of a person engaged in writing. Those who are habitually up at night, and who observe the different acoustic effects produced in absolute silence, know that a slight echo can be


Ferragus
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

to be weaned, and yields only to a pretty rough assertion of the right of the parent to be relieved of the child as soon as the child is old enough to bear the separation. The same thing occurs with children: they hang on to the mother's apron-string and the father's coat tails as long as they can, often baffling those sensitive parents who know that children should think for themselves and fend for themselves, but are too kind to throw them on their own resources with the ferocity of the domestic cat. The child should have its first coming of age when it is weaned, another when it can talk, another when it can walk, another when it can dress itself without assistance; and when it can read, write, count money, and pass an examination in going a simple