| The first excerpt represents the past or something you must release, and is drawn from The Adventures of Tom Sawyer by Mark Twain: He never made a second attempt. The boys lay there
counting the dragging moments till it seemed to them
that time must be done and eternity growing gray; and
then they were grateful to note that at last the sun was
setting.
Now one snore ceased. Injun Joe sat up, stared
around -- smiled grimly upon his comrade, whose head
was drooping upon his knees -- stirred him up with his
foot and said:
"Here! YOU'RE a watchman, ain't you! All right,
though -- nothing's happened."
 The Adventures of Tom Sawyer |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Kreutzer Sonata by Leo Tolstoy: we will r‚sum‚ our singing and dancing."
The little children sang, but Ivan said to them, "Your songs are
no good."
The children said, "Then show us how to sing better."
To this Ivan replied, "I will show you people who can sing better
than you." With that remark Ivan went to the barn and, securing
a bundle of straw, did as the little devil had directed him; and
presently a regiment of soldiers appeared in the village street,
and he ordered them to sing and dance.
The people were astonished and could not understand how Ivan had
produced the strangers.
 The Kreutzer Sonata |
The third excerpt represents the future or something you must embrace, and is drawn from American Notes by Rudyard Kipling: passed down the line of the twelve men, each man with a
knife--losing with each man a certain amount of his
individuality, which was taken away in a wheel-barrow, and when
he reached the last man he was very beautiful to behold, but
excessively unstuffed and limp. Preponderance of individuality
was ever a bar to foreign travel. That pig could have been in
case to visit you in India had he not parted with some of his
most cherished notions.
The dissecting part impressed me not so much as the slaying.
They were so excessively alive, these pigs. And then, they were
so excessively dead, and the man in the dripping, clammy, not
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