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Today's Stichomancy for Alfred Hitchcock

The first excerpt represents the past or something you must release, and is drawn from Hamlet by William Shakespeare:

Ham. I, but while the grasse growes, the Prouerbe is something musty. Enter one with a Recorder.

O the Recorder. Let me see, to withdraw with you, why do you go about to recouer the winde of mee, as if you would driue me into a toyle? Guild. O my Lord, if my Dutie be too bold, my loue is too vnmannerly

Ham. I do not well vnderstand that. Will you play vpon this Pipe? Guild. My Lord, I cannot


Hamlet
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Four Arthurian Romances by Chretien DeTroyes:

agreeably spent. The Count goes off to his own dwelling, and leaves Erec with the vavasor, saying that he will bear him company in the morning when he leaves. All that night they slept well. In the morning, when the dawn was bright, Erec prepares to start, commanding his horses to be saddled. His fair sweetheart, too, awakes, dresses, and makes ready. The vavasor and his wife rise too, and every knight and lady there prepares to escort the damsel and the knight. Now they are all on horseback, and the Count as well. Erec rides beside the Count, having beside him his sweetheart ever mindful of her hawk. Having no other riches, she plays with her hawk. Very merry were they as they rode

The third excerpt represents the future or something you must embrace, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

overspread the whole exterior, hanging in a fine tangled web-work from the eaves. Yet all this was apart from any extraordinary dilapidation. No portion of the masonry had fallen; and there appeared to be a wild inconsistency between its still perfect adaptation of parts, and the crumbling condition of the individual stones. In this there was much that reminded me of the specious totality of old wood-work which has rotted for long years in some neglected vault, with no disturbance from the breath of the external air. Beyond this indication of extensive decay, however, the fabric gave little token of instability. Perhaps the eye of a scrutinizing observer might


The Fall of the House of Usher