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Today's Stichomancy for Alyssa Milano

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Witch, et. al by Anton Chekhov:

His wife Stepanida, his children and grandchildren came out into the street to look at them. By degrees a crowd collected. The Lytchkovs, father and son, both men with swollen faces and entirely beardless, came up bareheaded. Kozov, a tall, thin old man with a long, narrow beard, came up leaning on a stick with a crook handle: he kept winking with his crafty eyes and smiling ironically as though he knew something.

"It's only that they are white; what is there in them?" he said. "Put mine on oats, and they will be just as sleek. They ought to be in a plough and with a whip, too. . . ."

The coachman simply looked at him with disdain, but did not utter

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

gold pieces in a Jew's pocket. But that was not the worst of it. Korzh had a daughter, such a beauty as I think you can hardly have chanced to see. My grandfather's aunt used to say--and you know that it is easier for a woman to kiss the Evil One than to call any one else a beauty--that this Cossack maiden's cheeks were as plump and fresh as the pinkest poppy when, bathed in God's dew, it unfolds its petals, and coquets with the rising sun; that her brows were evenly arched over her bright eyes like black cords, such as our maidens buy nowadays, for their crosses and ducats, off the Moscow pedlars who visit the villages with their baskets; that her little mouth, at sight of which the youths smacked their lips, seemed made to warble the


Taras Bulba and Other Tales
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Russia in 1919 by Arthur Ransome:

counter-revolutionary work would force the Soviet Government "to expel them to the territories of Kolchak's democracy." This conclusion was greeted with laughter and applause, and with that the meeting ended.

COMMISSARIAT OF LABOUR

February 28th.

This morning I went round to the Commissariat of Labour, to see Schmidt, the Commissar. Schmidt is a clean-shaven, intelligent young man, whose attention to business methods is reflected in his Commissariat, which, unlike that of Foreign Affairs, is extremely clean and very well

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wrong Box by Stevenson & Osbourne:

beastly. Here are spats, too,' he continued, drawing forth a pair of those offensive little gaiters. 'Must have spats! And now you jump into these, and whistle a tune at the window for (say) three-quarters of an hour. After that you can rejoin me on the field of glory.'

So saying, Michael returned to the studio. It was the morning of the easterly gale; the wind blew shrilly among the statues in the garden, and drove the rain upon the skylight in the studio ceiling; and at about the same moment of the time when Morris attacked the hundredth version of his uncle's signature in Bloomsbury, Michael, in Chelsea, began to rip the wires out of