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Today's Stichomancy for Alyssa Milano

The first excerpt represents the past or something you must release, and is drawn from When the World Shook by H. Rider Haggard:

heard him barking but where we could not see, since the tunnel appeared to take a turn and continue, but this time on a downward course, while the sound of the barks came from our right. We searched with the lanterns which were now beginning to die and found a little hole almost filled with fallen pieces of rock. We scooped these away with our hands, making an aperture large enough to creep through. A few more yards and we saw light, the blessed light of the moon, and in it stood Tommy barking hoarsely. Next we heard the sound of the sea. We struggled on desperately and presently pushed our way through bushes and vegetation on to a steep declivity. Down this we rolled and


When the World Shook
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Adventures of Huckleberry Finn by Mark Twain:

nights. He had a gun which he had stole, I reckon, and we fished and hunted, and that was what we lived on. Every little while he locked me in and went down to the store, three miles, to the ferry, and traded fish and game for whisky, and fetched it home and got drunk and had a good time, and licked me. The widow she found out where I was by and by, and she sent a man over to try to get hold of me; but pap drove him off with the gun, and it warn't long after that till I was used to being where I was, and liked it -- all but the cowhide part.


The Adventures of Huckleberry Finn
The third excerpt represents the future or something you must embrace, and is drawn from Padre Ignacio by Owen Wister:

now! Sit down and convert me. Only don't crush my poor little Erard with Verdi's hoofs. I brought it when I came. It is behind the times, too. And, oh, my dear boy, our organ is still worse. So old, so old! To get a proper one I would sacrifice even this piano of mine in a moment--only the tinkling thing is not worth a sou to anybody except its master. But there! Are you quite comfortable?" And having seen to his guest's needs, and placed spirits and cigars and an ash-tray within his reach, the Padre sat himself comfortably in his chair to hear and expose the false doctrine of Il Trovatore.

By midnight all of the opera that Gaston could recall had been played and sung twice. The convert sat in his chair no longer, but stood singing by