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Today's Stichomancy for Alyssa Milano

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Old Maid by Honore de Balzac:

Bousquier, bearing sumptuous and horrible bouquets, betook himself every morning, returning home for dinner.

At last, on a dull and rainy morning in June, the marriage of Mademoiselle Cormon and the Sieur du Bousquier took place at noon in the parish church of Alencon, in sight of the whole town. The bridal pair went from their own house to the mayor's office, and from the mayor's office to the church in an open caleche, a magnificent vehicle for Alencon, which du Bousquier had sent for secretly to Paris. The loss of the old carriole was a species of calamity in the eyes of the community. The harness-maker of the Porte de Seez bemoaned it, for he lost the fifty francs a year which it cost in repairs. Alencon saw

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Study of a Woman by Honore de Balzac:

Joseph The Magic Skin

Listomere, Marquis de The Lily of the Valley A Distinguished Provincial at Paris

Listomere, Marquise de The Lily of the Valley Lost Illusions A Distinguished Provincial at Paris A Daughter of Eve

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Cromwell by William Shakespeare:

I die for treason, boy, and never knew it. Yet let thy faith as spotless be as mine, And Cromwell's virtues in thy face shall shine. Come, go along and see me leave my breath, And I'll leave thee upon the flower of death.

SON. O, father, I shall die to see that wound; Your blood being spilt will make my heart to sound.

CROMWELL. How, boy, not look upon the Axe! How shall I do then to have my head stroke off?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Call of Cthulhu by H. P. Lovecraft:

ramblings, and cuttings which I found? Had my uncle, in his latter years become credulous of the most superficial impostures? I resolved to search out the eccentric sculptor responsible for this apparent disturbance of an old man's peace of mind. The bas-relief was a rough rectangle less than an inch thick and about five by six inches in area; obviously of modern origin. Its designs, however, were far from modern in atmosphere and suggestion; for, although the vagaries of cubism and futurism are many and wild, they do not often reproduce that cryptic regularity which lurks in prehistoric writing. And writing of some kind the bulk of these designs seemed


Call of Cthulhu