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Today's Stichomancy for Ambrose Bierce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

a National Theatre as a memorial to Shakespear, I have identified the Dark Lady with Mistress Mary Fitton. First, let me say that I do not contend that the Dark Lady was Mary Fitton, because when the case in Mary's favor (or against her, if you please to consider that the Dark Lady was no better than she ought to have been) was complete, a portrait of Mary came to light and turned out to be that of a fair lady, not of a dark one. That settles the question, if the portrait is authentic, which I see no reason to doubt, and the lady's hair undyed, which is perhaps less certain. Shakespear rubbed in the lady's complexion in his sonnets mercilessly; for in his day black hair was as unpopular as red hair was in the early days of Queen

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Night and Day by Virginia Woolf:

saddened her; she well knew the cause of it. Blind and infatuated as usual!

"Who is this Mr. Denham?" she asked.

"Ralph Denham?" said Mr. Hilbery, in relief that her mind had taken this turn. "A very interesting young man. I've a great belief in him. He's an authority upon our mediaeval institutions, and if he weren't forced to earn his living he would write a book that very much wants writing--"

"He is not well off, then?" Mrs. Milvain interposed.

"Hasn't a penny, I'm afraid, and a family more or less dependent on him."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Firm of Nucingen by Honore de Balzac:

"And to-day these so estimable and unfortunate people are living on a third floor (not counting the entresol) in the Rue du Mont Thabor. Malvina, the Adolphus' pearl of a granddaughter, has not a farthing. She gives music-lessons, not to be a burden upon her brother-in-law. You may see a tall, dark, thin, withered woman, like a mummy escaped from Passalacqua's about afoot through the streets of Paris. In 1830 Beaudenord lost his situation just as his wife presented him with a fourth child. A family of eight and two servants (Wirth and his wife) and an income of eight thousand livres. And at this moment the mines are paying so well, that an original share of a thousand francs brings in a dividend of cent per cent.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bureaucracy by Honore de Balzac:

The following were the toils of his life. He was obliged to choose, among five or six daily invitations, the house where he could be sure of the best dinner. Every morning he went to his minister's morning reception to amuse that official and his wife, and to pet their children. Then he worked an hour or two; that is to say, he lay back in a comfortable chair and read the newspapers, dictated the meaning of a letter, received visitors when the minister was not present, explained the work in a general way, caught or shed a few drops of the holy-water of the court, looked over the petitions with an eyeglass, or wrote his name on the margin,--a signature which meant "I think it absurd; do what you like about it." Every body knew that when des