| The first excerpt represents the past or something you must release, and is drawn from Paradise Lost by John Milton: That made us, and for us this ample world,
Be infinitely good, and of his good
As liberal and free as infinite;
That raised us from the dust, and placed us here
In all this happiness, who at his hand
Have nothing merited, nor can perform
Aught whereof he hath need; he who requires
From us no other service than to keep
This one, this easy charge, of all the trees
In Paradise that bear delicious fruit
So various, not to taste that only tree
 Paradise Lost |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Danny's Own Story by Don Marquis: money, mostly; and he was always saying some-
thing about art fur art's sake, which was plumb
foolishness, fur he never painted no pictures. Well,
he never got over being more or less of a puzzle
to me. But fur some reason or other this morning
he seemed to be in a better humour with himself,
after we had walked a while, than I had seen him
in fur a long time.
We come to the top of one long hill, which it had
made us sweat to climb, and without saying nothing
to each other we both stopped and took off our
|
The third excerpt represents the future or something you must embrace, and is drawn from Catherine de Medici by Honore de Balzac: come over frankly, instead of sidling along as he does--and what a
face!" continued the apprentice, mimicking the man, "with his nose in
his cloak, his yellow eyes, and that famished look!"
When the stranger thus described caught sight of Christophe alone on
the door-sill, he suddenly left the opposite gallery where he was then
walking, crossed the street rapidly, and came under the arcade in
front of the Lecamus house. There he passed slowly along in front of
the shop, and before the apprentices returned to close the outer
shutters he said to Christophe in a low voice:--
"I am Chaudieu."
Hearing the name of one of the most illustrious ministers and devoted
|