| The first excerpt represents the past or something you must release, and is drawn from The Snow Image by Nathaniel Hawthorne: and make her as comfortable as you can. Meanwhile, I will inquire
among the neighbors; or, if necessary, send the city-crier about
the streets, to give notice of a lost child."
So saying, this honest and very kind-hearted man was going toward
the little white damsel, with the best intentions in the world.
But Violet and Peony, each seizing their father by the hand,
earnestly besought him not to make her come in.
"Dear father," cried Violet, putting herself before him, "it is
true what I have been telling you! This is our little snow-girl,
and she cannot live any longer than while she breathes the cold
west-wind. Do not make her come into the hot room!"
 The Snow Image |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Louis Lambert by Honore de Balzac: as the cause.
The letters that have by chance escaped destruction show very plainly
a transition from pure idealism to the most intense sensualism.
Time was when Lambert and I had admired this phenomenon of the human
mind, in which he saw the fortuitous separation of our two natures,
and the signs of a total removal of the inner man, using its unknown
faculties under the operation of an unknown cause. This disorder, a
mystery as deep as that of sleep, was connected with the scheme of
evidence which Lambert had set forth in his /Treatise on the Will/.
And when Monsieur Lefebvre spoke to me of Louis' first attack, I
suddenly remembered a conversation we had had on the subject after
 Louis Lambert |
The third excerpt represents the future or something you must embrace, and is drawn from Chronicles of the Canongate by Walter Scott: more than one tankard.
In the meanwhile Mr. Ireby found some amusement in detaining the
northern drover at his ancient hall. He caused a cold round of
beef to be placed before the Scot in the butler's pantry,
together with a foaming tankard of home-brewed, and took pleasure
in seeing the hearty appetite with which these unwonted edibles
were discussed by Robin Oig M'Combich. The Squire himself
lighting his pipe, compounded between his patrician dignity and
his love of agricultural gossip, by walking up and down while he
conversed with his guest.
"I passed another drove," said the Squire, with one of your
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