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Today's Stichomancy for Andy Warhol

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

or at any rate reveal, is still more to me. To become the spectator of one's own life, as Harry says, is to escape the suffering of life. I know you are surprised at my talking to you like this. You have not realized how I have developed. I was a schoolboy when you knew me. I am a man now. I have new passions, new thoughts, new ideas. I am different, but you must not like me less. I am changed, but you must always be my friend. Of course, I am very fond of Harry. But I know that you are better than he is. You are not stronger-- you are too much afraid of life--but you are better. And how happy we used to be together! Don't leave me, Basil, and don't


The Picture of Dorian Gray
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Alcibiades I by Plato:

often implied in this and similar discussions; but should say of some of them, that their genuineness is neither proven nor disproven until further evidence about them can be adduced. And we are as confident that the Epistles are spurious, as that the Republic, the Timaeus, and the Laws are genuine.

On the whole, not a twentieth part of the writings which pass under the name of Plato, if we exclude the works rejected by the ancients themselves and two or three other plausible inventions, can be fairly doubted by those who are willing to allow that a considerable change and growth may have taken place in his philosophy (see above). That twentieth debatable portion scarcely in any degree affects our judgment of Plato, either as a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Faith of Men by Jack London:

they received it contemptuously. But on the fourth day, there being nowhere else to go, they went up "that pup." They knew that it was practically unstaked, but they had no intention of staking. The trip was made more for the purpose of giving vent to their ill- humour than for anything else. They had become quite cynical, sceptical. They jeered and scoffed at everything, and insulted every chechaquo they met along the way.

At No. 23 the stakes ceased. The remainder of the creek was open for location.

"Moose pasture," sneered Kink Mitchell.

But Bill gravely paced off five hundred feet up the creek and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Man that Corrupted Hadleyburg by Mark Twain:

started in at the beginning and sang the four lines through twice, with immense swing and dash, and finished up with a crashing three- times-three and a tiger for "Hadleyburg the Incorruptible and all Symbols of it which we shall find worthy to receive the hall-mark to-night."

Then the shoutings at the Chair began again, all over the place:

"Go on! go on! Read! read some more! Read all you've got!"

"That's it--go on! We are winning eternal celebrity!"

A dozen men got up now and began to protest. They said that this farce was the work of some abandoned joker, and was an insult to the whole community. Without a doubt these signatures were all


The Man that Corrupted Hadleyburg