| The first excerpt represents the past or something you must release, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce: rush of its body parting the water.
He had come to the surface facing down the stream; in a
moment the visible world seemed to wheel slowly round,
himself the pivotal point, and he saw the bridge, the fort,
the soldiers upon the bridge, the captain, the sergeant, the
two privates, his executioners. They were in silhouette
against the blue sky. They shouted and gesticulated,
pointing at him. The captain had drawn his pistol, but did
not fire; the others were unarmed. Their movements were
grotesque and horrible, their forms gigantic.
Suddenly he heard a sharp report and something struck the
 An Occurrence at Owl Creek Bridge |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Smalcald Articles by Dr. Martin Luther: Treats of the Articles which Refer to
the Office and Work of Jesus Christ,
or Our Redemption.
The first and chief article is this,
That Jesus Christ, our God and Lord, died for our sins, and
was raised again for our justification, Rom. 4, 25.
And He alone is the Lamb of God which taketh away the sins of
the world, John 1, 29; and God has laid upon Him the
iniquities of us all, Is. 53, 6.
Likewise: All have sinned and are justified without merit
[freely, and without their own works or merits] by His grace,
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The third excerpt represents the future or something you must embrace, and is drawn from Jane Eyre by Charlotte Bronte: for a fleeting moment, I thought I caught a glance, heard a tone,
beheld a form, which announced the realisation of my dream: but I
was presently undeserved. You are not to suppose that I desired
perfection, either of mind or person. I longed only for what suited
me--for the antipodes of the Creole: and I longed vainly. Amongst
them all I found not one whom, had I been ever so free, I--warned as
I was of the risks, the horrors, the loathings of incongruous
unions--would have asked to marry me. Disappointment made me
reckless. I tried dissipation--never debauchery: that I hated, and
hate. That was my Indian Messalina's attribute: rooted disgust at
it and her restrained me much, even in pleasure. Any enjoyment that
 Jane Eyre |