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Today's Stichomancy for Antonio Banderas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Case of the Registered Letter by Grace Isabel Colbron and Augusta Groner:

drawers and cupboard; that is explained by the thief's hasty search for booty. But the torn window curtain and the overturned chairs are peculiar.

"Of course there is always a possibility that the thief might have entered one room while Siders was in the other; that the latter might have surprised the robber in his search for money or valuables, and that there might have been a hand-to-hand struggle before the intruder could pull out his revolver. Oh, if I could only have seen the body! This is working under terrific difficulties. The marks of a hand-to-hand struggle would have been very plain on the clothes and on the person of the murdered man. But this letter? I do not

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Menexenus by Plato:

author, are also of doubtful credit; while there is no instance of any ancient writing proved to be a forgery, which combines excellence with length. A really great and original writer would have no object in fathering his works on Plato; and to the forger or imitator, the 'literary hack' of Alexandria and Athens, the Gods did not grant originality or genius. Further, in attempting to balance the evidence for and against a Platonic dialogue, we must not forget that the form of the Platonic writing was common to several of his contemporaries. Aeschines, Euclid, Phaedo, Antisthenes, and in the next generation Aristotle, are all said to have composed dialogues; and mistakes of names are very likely to have occurred. Greek literature in the third century before Christ was almost as

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Iliad by Homer:

took her hand in her own, saying, "Why have you come to our house, Thetis, honoured and ever welcome--for you do not visit us often? Come inside and let me set refreshment before you."

The goddess led the way as she spoke, and bade Thetis sit on a richly decorated seat inlaid with silver; there was a footstool also under her feet. Then she called Vulcan and said, "Vulcan, come here, Thetis wants you"; and the far-famed lame god answered, "Then it is indeed an august and honoured goddess who has come here; she it was that took care of me when I was suffering from the heavy fall which I had through my cruel mother's anger--for she would have got rid of me because I was


The Iliad
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Mother by Owen Wister:

of complaint she uttered in my presence during that whole dreary month."

"We were spending Sunday with a house party at Hyde Park; and driving to church, we passed an avenue gate with a lodge. 'Rockhurst, sir,' said the coachman. 'Whose place?' I inquired. 'The old Beverly place, sir.' Ethel heard him tell me this; and as we went on, we saw a carriage and pair coming down the avenue toward the gate with that look which horses always seem to have when they are taking the family to church on Sunday morning."

"'If I see her,' said Ethel to me as we entered the door, 'I shall be unable to say my prayers.'"

"But only young people came into the Beverly pew, and Ethel said her prayers and also sang the hymn and chants very sweetly."