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Today's Stichomancy for Antonio Banderas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Allan Quatermain by H. Rider Haggard:

and immediately over the pole, is a small seat for the driver, railed round to prevent him from being jolted off. Inside the machine itself are three low seats, one at each side, and one with the back to the horses, opposite to which is the door. The whole vehicle is lightly and yet strongly made, and, owing to the grace of the curves, though primitive, not half so ugly as might be expected.

But if the chariots left something to be desired, the horses did not. They were simply splendid, not very large but strongly built, and well ribbed up, with small heads, remarkably large and round hoofs, and a great look of speed and blood. I have


Allan Quatermain
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Village Rector by Honore de Balzac:

of the human face. Is there not, by the bye, in the lassitude of Nature and that of man a curious affinity which is difficult to grasp? The depressing heat of a dog-day and the rarification of the air give to the least sound made by human beings all its signification. The women seated on their doorsteps and waiting for their husbands (who often bring back the children) gossip with each other while still at work. The roofs are casting up the lines of smoke which tell of the evening meal, the gayest among the peasantry; after which, they sleep. All actions express the tranquil cheerful thoughts of those whose day's work is over. Songs are heard very different in character from those of the morning; in this the peasants imitate the birds, whose

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Unconscious Comedians by Honore de Balzac:

"I'm expecting the virtuous fortune which Bilouche has promised me," said Bixiou.

"I've a fever," cried Gazonal. "If I believed what you say I should have to believe in sorcery, in some supernatural power."

"It may be only natural," said Bixiou. "One-third of all the lorettes, one-fourth of all the statesmen, and one-half of all artists consult Madame Fontaine; and I know a minister to whom she is an Egeria."

"Did she tell you about your future?" asked Leon.

"No; I had enough of her about my past. But," added Gazonal, struck by a sudden thought, "if she can, by the help of those dreadful collaborators, predict the future, how came she to lose in the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

and of the girl and four boys she was sending up for it. And just as she was thinking about the examination, she was overtaken by a neighboring landowner called Hanov in a carriage with four horses, the very man who had been examiner in her school the year before. When he came up to her he recognized her and bowed.

"Good-morning," he said to her. "You are driving home, I suppose."

This Hanov, a man of forty with a listless expression and a face that showed signs of wear, was beginning to look old, but was still handsome and admired by women. He lived in his big homestead alone, and was not in the service; and people used to


The Schoolmistress and Other Stories