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Today's Stichomancy for Aretha Franklin

The first excerpt represents the past or something you must release, and is drawn from The Prince by Nicolo Machiavelli:

men, and to imitate those who have been supreme, so that if his ability does not equal theirs, at least it will savour of it. Let him act like the clever archers who, designing to hit the mark which yet appears too far distant, and knowing the limits to which the strength of their bow attains, take aim much higher than the mark, not to reach by their strength or arrow to so great a height, but to be able with the aid of so high an aim to hit the mark they wish to reach.

I say, therefore, that in entirely new principalities, where there is a new prince, more or less difficulty is found in keeping them, accordingly as there is more or less ability in him who has acquired the state. Now, as the fact of becoming a prince from a private


The Prince
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Alexandria and her Schools by Charles Kingsley:

and in fact were, incapable of Chemistry, Geognosy, Comparative Anatomy, or any of that noble choir of sister sciences, which are now building up the material as well as the intellectual glory of Britain.

To Astronomy, on the other hand, the pupils of Euclid turned naturally, as to the science which required the greatest amount of their favourite geometry: but even that they were content to let pass from its inductive to its deductive stage--not as we have done now, after two centuries of inductive search for the true laws, and their final discovery by Kepler and Newton: but as soon as Hipparchus had propounded any theory which would do instead of the true laws, content there to stop their experiments, and return to their favourite work of

The third excerpt represents the future or something you must embrace, and is drawn from The Chouans by Honore de Balzac:

not been for a dirty yellow petticoat, a distinctive mark of sex, Hulot would hardly have known the gender she belonged to; for the meshes of her long black hair were twisted up and hidden by a red worsted cap. The tatters of the little boy did not cover him, but left his skin exposed.

"Ho! old woman!" called Hulot, in a low voice, approaching her, "where is the Gars?"

The twenty men who accompanied Hulot now jumped the hedge.

"Hey! if you want the Gars you'll have to go back the way you came," said the woman, with a suspicious glance at the troop.

"Did I ask you the road to Fougeres, old carcass?" said Hulot,


The Chouans