| The first excerpt represents the past or something you must release, and is drawn from The Art of Writing by Robert Louis Stevenson: that we can follow out the effect, and distinguish and weigh
and compare. A book which has been very influential upon me
fell early into my hands, and so may stand first, though I
think its influence was only sensible later on, and perhaps
still keeps growing, for it is a book not easily outlived:
the ESSAIS of Montaigne. That temperate and genial picture
of life is a great gift to place in the hands of persons of
to-day; they will find in these smiling pages a magazine of
heroism and wisdom, all of an antique strain; they will have
their 'linen decencies' and excited orthodoxies fluttered,
and will (if they have any gift of reading) perceive that
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Journey to the Center of the Earth by Jules Verne: asunder, leaving this great hollow into which human beings were now
penetrating for the first time.
The whole history of the carboniferous period was written upon these
gloomy walls, and a geologist might with ease trace all its diverse
phases. The beds of coal were separated by strata of sandstone or
compact clays, and appeared crushed under the weight of overlying
strata.
At the age of the world which preceded the secondary period, the
earth was clothed with immense vegetable forms, the product of the
double influence of tropical heat and constant moisture; a vapoury
atmosphere surrounded the earth, still veiling the direct rays of the
Journey to the Center of the Earth |
The third excerpt represents the future or something you must embrace, and is drawn from The Fall of the House of Usher by Edgar Allan Poe: stair? Do I not distinguish that heavy and horrible beating of
her heart? Madman!" here he sprang furiously to his feet, and
shrieked out his syllables, as if in the effort he were giving up
his soul--"Madman! I tell you that she now stands without the
door!"
As if in the superhuman energy of his utterance there had
been found the potency of a spell--the huge antique panels to
which the speaker pointed, threw slowly back, upon the instant,
their ponderous and ebony jaws. It was the work of the
rushing gust--but then without those doors there DID stand the
lofty and enshrouded figure of the lady Madeline of Usher. There
The Fall of the House of Usher |
