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Today's Stichomancy for Arthur E. Waite

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Village Rector by Honore de Balzac:

lies between the mountain peak and the last hill of the forest (for, seen from the plain, the Roche-Vive looks isolated) Veronique requested Maurice to show her the house in which Farrabesche lived and then to hold the horses and wait for her; she wished to go alone. Maurice took her to a path which led down on the other side of the Roche-Vive and showed her the thatched roof of a dwelling half buried in the mountain, below which lay the nursery grounds. It was then about mid-day. A light smoke issued from the chimney. Veronique reached the cottage in a few moments, but she did not make her presence known at once. She stood a few moments lost in thoughts known only to herself as she gazed on the modest dwelling which stood in the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

made in silence, for both men were occupied with their own thoughts, most of which were far from being either complimentary or loyal to the other. As they rode through the wood the sounds of their careless passage came to the ears of another jungle wayfarer. The Killer had determined to come back to the place where he had seen the white girl who took to the trees with the ability of long habitude. There was a compelling something in the recollection of her that drew him irresistibly toward her. He wished to see her by the light of day, to see her features, to see the color of her eyes and hair. It seemed to him that she must bear a strong resemblance to his lost Meriem, and


The Son of Tarzan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Kidnapped Santa Claus by L. Frank Baum:

dislike old Santa Claus, held a meeting one day to discuss the matter.

"I'm really getting lonesome," said the Daemon of Selfishness. "For Santa Claus distributes so many pretty Christmas gifts to all the children that they become happy and generous, through his example, and keep away from my cave."

"I'm having the same trouble," rejoined the Daemon of Envy. "The little ones seem quite content with Santa Claus, and there are few, indeed, that I can coax to become envious."

"And that makes it bad for me!" declared the Daemon of Hatred. "For if no children pass through the Caves of Selfishness and Envy, none can get to MY cavern."


A Kidnapped Santa Claus
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Psychology of Revolution by Gustave le Bon:

assured us that they are impartial.

In reality the writer sees events as the painter sees a landscape--that is, through his own temperament; through his character and the mind of the race.

A number of artists, placed before the same landscape, would necessarily interpret it in as many different fashions. Some would lay stress upon details neglected by others. Each reproduction would thus be a personal work--that is to say, would be interpreted by a certain form of sensibility.

It is the same with the writer. We can no more speak of the impartiality of the historian than we can speak of the