| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde: prompt copy, was of less importance than the others); nor with The
Cardinal of Arragon, the manuscript of which I never saw. I
scarcely think it ever existed, though Wilde used to recite proposed
passages for it.
Some years after Wilde's death I was looking over the papers and
letters rescued from Tite Street when I came across loose sheets of
manuscript and typewriting, which I imagined were fragments of The
Duchess of Padua; on putting them together in a coherent form I
recognised that they belonged to the lost Florentine Tragedy. I
assumed that the opening scene, though once extant, had disappeared.
One day, however, Mr. Willard wrote that he possessed a typewritten
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Damnation of Theron Ware by Harold Frederic: good care not to go, all the same. They've got horse-sense,
those priests. They're artists, too. They know how to
allow for the machinery behind the scenes."
"But it's all so different," urged the young minister;
"the same things are not expected of them. Now I sat
the other night and watched those people you got up
around the altar-rail, groaning and shouting and crying,
and the others jumping up and down with excitement,
and Sister Lovejoy--did you see her?--coming out of her pew
and regularly waltzing in the aisle, with her eyes shut,
like a whirling dervish--I positively believe it was
 The Damnation of Theron Ware |