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Today's Stichomancy for Ashlee Simpson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Camille by Alexandre Dumas:

fine, fat country girl, who until then had never left her village. She had made the fortune at a single stroke, without even knowing the source of that fortune. She went back, I heard afterward, to her countryside, greatly saddened by her sister's death, but with a sadness which was somewhat lightened by the investment at four and a half per cent which she had been able to make.

All these circumstances, often repeated in Paris, the mother city of scandal, had begun to be forgotten, and I was even little by little forgetting the part I had taken in them, when a new incident brought to my knowledge the whole of Marguerite's life,


Camille
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Dunwich Horror by H. P. Lovecraft:

back from his morning trip to Ten-Acre Meadow with the cows. He was almost convulsed with fright as he stumbled into the kitchen; and in the yard outside the no less frightened herd were pawing and lowing pitifully, having followed the boy back in the panic they shared with him. Between gasps Luther tried to stammer out his tale to Mrs Corey. 'Up thar in the rud beyont the glen, Mis' Corey - they's suthin' ben thar! It smells like thunder, an' all the bushes an' little trees is pushed back from the rud like they'd a haouse ben moved along of it. An' that ain't the wust, nuther. They's prints in the rud, Mis' Corey - great raound


The Dunwich Horror
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Varieties of Religious Experience by William James:

mystical persuasion plays an enormous part in the history of the religious consciousness, and we must look at it later with some care. But we need not go so far at present. More ordinary non-mystical conditions of rapture suffice for my immediate contention. All invasive moral states and passionate enthusiasms make one feelingless to evil in some direction. The common penalties cease to deter the patriot, the usual prudences are flung by the lover to the winds. When the passion is extreme, suffering may actually be gloried in, provided it be for the ideal cause, death may lose its sting, the grave its victory. In these states, the ordinary contrast of good and ill seems to be

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Albert Savarus by Honore de Balzac:

intercepted Albert's letters to the Duchess as well as that in which Francesca announced her husband's illness, warning her lover that she could write to him no more during the time while she was devoted, as was her duty, to the care of the dying man. Thus, while Albert was wholly occupied with election matters, the Duchess had written him only two letters; one in which she told him that the Duc d'Argaiolo was in danger, and one announcing her widowhood--two noble and beautiful letters which Rosalie kept back.

After several nights' labor she succeeded in imitating Albert's writing very perfectly. She had substituted three letters of her own writing for three of Albert's, and the rough copies which she showed


Albert Savarus