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Today's Stichomancy for Ashton Kutcher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Collection of Antiquities by Honore de Balzac:

the sun. The insidious current of life in Paris was bringing a dreadful catastrophe upon the great and noble house; and only one person was in the secret of it. This was du Croisier. He rubbed his hands gleefully as he went past in the dark and looked in at the Antiquities. He had good hope of attaining his ends; and his ends were not, as heretofore, the simple ruin of the d'Esgrignons, but the dishonor of their house. He felt instinctively at such times that his revenge was at hand; he scented it in the wind! He had been sure of it indeed from the day when he discovered that the young Count's burden of debt was growing too heavy for the boy to bear.

Du Croisier's first step was to rid himself of his most hated enemy,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Republic by Plato:

against one another, for they are not true. No, we shall never mention the battles of the giants, or let them be embroidered on garments; and we shall be silent about the innumerable other quarrels of gods and heroes with their friends and relatives. If they would only believe us we would tell them that quarrelling is unholy, and that never up to this time has there been any quarrel between citizens; this is what old men and old women should begin by telling children; and when they grow up, the poets also should be told to compose for them in a similar spirit. But the narrative of Hephaestus binding Here his mother, or how on another occasion Zeus sent him flying for taking her part when she was being beaten, and all the battles of the gods in Homer--these tales must not be admitted into our


The Republic
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Somebody's Little Girl by Martha Young:

Helen Vincula wore, but soft crinkly white just over the lady's soft yellow hair.

Also on the breast of her black dress was a cross, but not white like the cross that Sister Helen Vincula wore. No, this cross was shining very brightly, and it was very golden in the sunlight,--and-- somehow, somehow,--Bessie Bell knew just how that cross felt,--she knew without feeling it. She did not have to feel it as she had felt the dress.

Bessie Bell looked and thought. She thought this lady looked like a Sister--and yet there was a difference. She looked also like Just- A-Lady, and she also looked grand and important enough for a Mama.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Albert Savarus by Honore de Balzac:

"You will marry Mademoiselle Sidonie de Chavoncourt."

"Never!"

"You will marry Mademoiselle Sidonie de Chavoncourt," the priest repeated coldly.

"But you see--she is inexorable," said Albert, pointing to Francesca.

"You will marry Mademoiselle Sidonie de Chavoncourt," said the Abbe calmly for the third time.

This time Albert understood. The Vicar-General would not be implicated in a scheme which at last smiled on the despairing politician. A word more would have compromised the priest's dignity and honor.

"To-morrow evening at the Hotel de Rupt you will meet Madame de


Albert Savarus