| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Padre Ignacio by Owen Wister: and plain against the flat water. The priest watched through his glasses,
and saw the gradual sun grow strong upon the canvas of the barkentine.
The message from his world was at hand, yet to-day he scarcely cared so
much. Sitting in his garden yesterday, he could never have imagined such
a change. But his heart did not hail the barkentine as usual. Books,
music, pale paper, and print--this was all that was coming to him,
some of its savor had gone; for the siren voice of Life had been speaking
with him face to face, and in his spirit, deep down, the love of the
world was restlessly answering it. Young Gaston showed more eagerness
than the Padre over this arrival of the vessel that might be bringing
Trovatore in the nick of time. Now he would have the chance, before he
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Simple Soul by Gustave Flaubert: But, in a short time he mentioned a difficulty; the previous year, his
parents had purchased a substitute for him; but any day he might be
drafted and the prospect of serving in the army alarmed him greatly.
To Felicite his cowardice appeared a proof of his love for her, and
her devotion to him grew stronger. When she met him, he would torture
her with his fears and his entreaties. At last, he announced that he
was going to the prefect himself for information, and would let her
know everything on the following Sunday, between eleven o'clock and
midnight.
When the time grew near, she ran to meet her lover.
But instead of Theodore, one of his friends was at the meeting-place.
 A Simple Soul |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Atheist's Mass by Honore de Balzac: and will avenge him for some foolish charges.
Of all the students in Desplein's hospital, Horace Bianchon was
one of those to whom he most warmly attached himself. Before
being a house surgeon at the Hotel-Dieu, Horace Bianchon had been
a medical student lodging in a squalid boarding house in the
Quartier Latin, known as the Maison Vauquer. This poor young man
had felt there the gnawing of that burning poverty which is a
sort of crucible from which great talents are to emerge as pure
and incorruptible as diamonds, which may be subjected to any
shock without being crushed. In the fierce fire of their
unbridled passions they acquire the most impeccable honesty, and
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw: Harris can allege in support of his broken-heart theory. But even if
Shakespear had had no failures, it was not possible for a man of his
powers to observe the political and moral conduct of his
contemporaries without perceiving that they were incapable of dealing
with the problems raised by their own civilization, and that their
attempts to carry out the codes of law and to practise the religions
offered to them by great prophets and law-givers were and still are so
foolish that we now call for The Superman, virtually a new species, to
rescue the world from mismanagement. This is the real sorrow of great
men; and in the face of it the notion that when a great man speaks
bitterly or looks melancholy he must be troubled by a disappointment
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