| The first excerpt represents the past or something you must release, and is drawn from In Darkest England and The Way Out by General William Booth: to human hearts to-day.
It is pitiful to see intelligent men attempting to account, without the
admission of this great fact, for the self-sacrifice and success of
Salvation Officers and Soldiers. If those who wish to understand the
Army would only take the trouble to spend as much as twenty-four hours
with its people, how different in almost every instance would be the
conclusions arrived at. Half-an-hour spent in the rooms inhabited by
many of our officers would be sufficient to convince, even a well-to-do
working man, that life could not be lived happily in such circumstances
without some superhuman power, which alike sustains and gladdens the
soul, altogether independently of earthly surroundings.
 In Darkest England and The Way Out |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton: gradually acquired through close daily contact with the scene of
the lurking mystery. It was the house itself, of course, that
possessed the ghost-seeing faculty, that communed visually but
secretly with its own past; and if one could only get into close
enough communion with the house, one might surprise its secret,
and acquire the ghost-sight on one's own account. Perhaps, in
his long solitary hours in this very room, where she never
trespassed till the afternoon, her husband HAD acquired it
already, and was silently carrying the dread weight of whatever
it had revealed to him. Mary was too well-versed in the code of
the spectral world not to know that one could not talk about the
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The third excerpt represents the future or something you must embrace, and is drawn from Dreams & Dust by Don Marquis: Along the shaken street--
Dusk, storm, and beauty whelm the world
Where sea and city meet--
But what care they for flashing wings,
Quick beauty, loud refrain,
These huddled thousands, deaf and blind
To all but greed and gain?
AT SUNSET
THE sun-god stooped from out the sky
To kiss the flushing sea,
While all the winds of all the world
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