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Today's Stichomancy for Audrey Hepburn

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Scarlet Pimpernel by Baroness Emmuska Orczy:

track and denounce him. Her own helplessness struck her with the terrible sense of utter disappointment. The possibility of being the slightest use to her husband had become almost NIL, and her only hope rested in being allowed to share his fate, whatever it might ultimately be.

For the moment, even her chance of ever seeing the man she loved again, had become a remote one. Still, she was determined to keep a close watch over his enemy, and a vague hope filled her heart, that whilst she kept Chauvelin in sight, Percy's fate might still be hanging in the balance.

Desgas left Chauvelin moodily pacing up and down the room,


The Scarlet Pimpernel
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

end of every passage, the flinty countenance of Hermiston. And a kind of horror fell upon her at what she had done. She wore a tragic mask. "Erchie, the Lord peety you, dear, and peety me! I have buildit on this foundation" - laying her hand heavily on his shoulder - "and buildit hie, and pit my hairt in the buildin' of it. If the hale hypothec were to fa', I think, laddie, I would dee! Excuse a daft wife that loves ye, and that kenned your mither. And for His name's sake keep yersel' frae inordinate desires; haud your heart in baith your hands, carry it canny and laigh; dinna send it up like a hairn's kite into the collieshangic o' the wunds! Mind, Maister Erchie dear, that this life's a' disappointment, and a mouthfu' o' mools is the appointed end."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Witch, et. al by Anton Chekhov:

afterwards he went to bed and slept soundly after seven sleepless nights.

VII

Old Tsybukin went to the town for a short time. Someone told Aksinya that he had gone to the notary to make his will and that he was leaving Butyokino, the very place where she had set up a brickyard, to Nikifor, his grandson. She was informed of this in the morning when old Tsybukin and Varvara were sitting near the steps under the birch-tree, drinking their tea. She closed the shop in the front and at the back, gathered together all the keys she had,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Herland by Charlotte Gilman:

his companion, Jeff with sincere admiration, Terry with that highly technical look of his, as of a past master--like a lion tamer, a serpent charmer, or some such professional. I myself was intensely interested.

It was evident that those sets of five were there to check any outbreak on our part. We had no weapons, and if we did try to do any damage, with a chair, say, why five to one was too many for us, even if they were women; that we had found out to our sorrow. It was not pleasant, having them always around, but we soon got used to it.

"It's better than being physically restrained ourselves," Jeff philosophically suggested when we were alone. "They've


Herland