| The first excerpt represents the past or something you must release, and is drawn from Youth by Joseph Conrad: old days when mail-boats were square-rigged at least on
two masts, and used to come down the China Sea before
a fair monsoon with stun'-sails set alow and aloft. We
all began life in the merchant service. Between the five
of us there was the strong bond of the sea, and also the
fellowship of the craft, which no amount of enthusiasm
for yachting, cruising, and so on can give, since one is
only the amusement of life and the other is life itself.
Marlow (at least I think that is how he spelt his name)
told the story, or rather the chronicle, of a voyage:
"Yes, I have seen a little of the Eastern seas; but what
 Youth |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber: I've got in the world. Give me a chance. Three months!
Six months! A year!"
"Get up!" ordered judge Wheeling, gruffly, "and stop
that! It won't do you a bit of good."
And then a wonderful thing happened. The woman rose
to her feet. A new and strange dignity had come into her
battered face. The lines of suffering and vice were
erased as by magic, and she seemed to grow taller,
younger, almost beautiful. When she spoke again it was
slowly and distinctly, her words quite free from the blur
of the barroom and street vernacular.
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The third excerpt represents the future or something you must embrace, and is drawn from The Mysterious Affair at Styles by Agatha Christie: "Ah!" I exclaimed. "To be sure, that is odd!"
"Have you ever known a chemist to send out a box like that,
without his printed name?"
"No, I can't say that I have."
I was becoming quite excited, but Poirot damped my ardour by
remarking:
"Yet the explanation is quite simple. So do not intrigue
yourself, my friend."
An audible creaking proclaimed the approach of Annie, so I had no
time to reply.
Annie was a fine, strapping girl, and was evidently labouring
 The Mysterious Affair at Styles |