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Today's Stichomancy for Ayn Rand

The first excerpt represents the past or something you must release, and is drawn from Maid Marian by Thomas Love Peacock:

"Must you?" said the baron; "I say you must not."

"But I am going," said Matilda

"But I will have up the drawbridge," said the baron.

"But I will swim the moat," said Matilda.

"But I will secure the gates," said the baron.

"But I will leap from the battlement," said Matilda.

"But I will lock you in an upper chamber," said the baron.

"But I will shred the tapestry," said Matilda, "and let myself down."

"But I will lock you in a turret," said the baron, "where you shall only see light through a loophole."

"But through that loophole," said Matilda, "will I take my flight,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lady Windermere's Fan by Oscar Wilde:

I had - well, what shall I say? - œ2000 a year left to me by a third cousin - or a second husband - or some distant relative of that kind. It would be an additional attraction, wouldn't it? You have a delightful opportunity now of paying me a compliment, Windermere. But you are not very clever at paying compliments. I am afraid Margaret doesn't encourage you in that excellent habit. It's a great mistake on her part. When men give up saying what is charming, they give up thinking what is charming. But seriously, what do you say to œ2000? œ2500, I think. In modern life margin is everything. Windermere, don't you think the world an intensely amusing place? I do!

The third excerpt represents the future or something you must embrace, and is drawn from Ozma of Oz by L. Frank Baum:

beautiful dressing-room that lay just between Langwidere's sleeping-chamber and the mirrored sitting-room. Each head was in a separate cupboard lined with velvet. The cupboards ran all around the sides of the dressing-room, and had elaborately carved doors with gold numbers on the outside and jeweled-framed mirrors on the inside of them.

When the Princess got out of her crystal bed in the morning she went to her cabinet, opened one of the velvet-lined cupboards, and took the head it contained from its golden shelf. Then, by the aid of the mirror inside the open door, she put on the head--as neat and straight as could be--and afterward called her maids to robe her for the day. She always wore a simple white costume, that suited all the heads.


Ozma of Oz