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Today's Stichomancy for Ayn Rand

The first excerpt represents the past or something you must release, and is drawn from The Altar of the Dead by Henry James:

contrasts. He shifted this and that candle, he made the spaces different, he effaced the disfigurement of a possible gap. There were subtle and complex relations, a scheme of cross-reference, and moments in which he seemed to catch a glimpse of the void so sensible to the woman who wandered in exile or sat where he had seen her with the portrait of Acton Hague. Finally, in this way, he arrived at a conception of the total, the ideal, which left a clear opportunity for just another figure. "Just one more - to round it off; just one more, just one," continued to hum in his head. There was a strange confusion in the thought, for he felt the day to be near when he too should be one of the Others. What

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Wrecker by Stevenson & Osbourne:

"No doubt it might damage you in a business sense," the captain agreed. "And I'm pleased you take that view; for I've turned kind of soft upon the job. There's been some crookedness about, no doubt of it; but, Law bless you! if we dropped upon the troupe, all the premier artists would slip right out with the boodle in their grip-sacks, and you'd only collar a lot of old mutton-headed shell-backs that didn't know the back of the business from the front. I don't take much stock in Mercantile Jack, you know that; but, poor devil, he's got to go where he's told; and if you make trouble, ten to one it'll make you sick to see the innocents who have to stand the racket. It

The third excerpt represents the future or something you must embrace, and is drawn from O Pioneers! by Willa Cather:

a mulberry hedge, was the orchard, its fruit trees knee-deep in timothy grass. Any one there- abouts would have told you that this was one of the richest farms on the Divide, and that the farmer was a woman, Alexandra Bergson. If you go up the hill and enter Alexandra's big house, you will find that it is curiously unfinished and uneven in comfort. One room is papered, carpeted, over-furnished; the next is almost bare. The pleasantest rooms in the


O Pioneers!