| The first excerpt represents the past or something you must release, and is drawn from Faraday as a Discoverer by John Tyndall: completion of those researches, and in a paper forwarded to the
Royal Society on October 22, 1851, he devotes himself to the formal
development and illustration of his favourite idea. The paper bears
the title, 'On lines of magnetic force, their definite character,
and their distribution within a magnet and through space.'
A deep reflectiveness is the characteristic of this memoir.
In his experiments, which are perfectly beautiful and profoundly
suggestive, he takes but a secondary delight. His object is to
illustrate the utility of his conception of lines of force.
'The study of these lines,' he says, 'has at different times been
greatly influential in leading me to various results which I think
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Philosophy 4 by Owen Wister: out smoothly. Then the cause of all this spoke to them from a gate.
"Come as near spillin' as you boys wanted, I guess," remarked the cause.
They looked, and saw him in huge white shirt-sleeves, shaking with
joviality. "If you kep' at it long enough you might a-most learn to
drive a horse," he continued, eying Bertie. This came as near direct
praise as the true son of our soil--Northern or Southern--often thinks
well of. Bertie was pleased, but made a modest observation, and "Are we
near the tavern?" he asked. "Bird-in-Hand!" the son of the soil echoed;
and he contemplated them from his gate. That's me," he stated, with
complacence. "Bill Diggs of the Bird-in-Hand has been me since April,
'65." His massy hair had been yellow, his broad body must have weighed
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The third excerpt represents the future or something you must embrace, and is drawn from The Devil's Dictionary by Ambrose Bierce: to get money. Hence it followeth that all things are truly to be
rated as of worth in measure of their serviceableness to that end; and
their possessors should take rank in agreement thereto, neither the
lord of an unproducing manor, howsoever broad and ancient, nor he who
bears an unremunerate dignity, nor yet the pauper favorite of a king,
being esteemed of level excellency with him whose riches are of daily
accretion; and hardly should they whose wealth is barren claim and
rightly take more honor than the poor and unworthy."
INCOMPATIBILITY, n. In matrimony a similarity of tastes, particularly
the taste for domination. Incompatibility may, however, consist of a
meek-eyed matron living just around the corner. It has even been
 The Devil's Dictionary |