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Today's Stichomancy for Ayn Rand

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lady Susan by Jane Austen:

made to it, then I can promise you a ready and cheerful consent; but it is my duty to oppose a match which deep art only could render possible, and must in the end make wretched. It is possible her behaviour may arise only from vanity, or the wish of gaining the admiration of a man whom she must imagine to be particularly prejudiced against her; but it is more likely that she should aim at something further. She is poor, and may naturally seek an alliance which must be advantageous to herself; you know your own rights, and that it is out of my power to prevent your inheriting the family estate. My ability of distressing you during my life would be a species of revenge to which I could hardly stoop under any circumstances.

I honestly tell you my sentiments and intentions: I do not wish to work


Lady Susan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Boys' Life of Abraham Lincoln by Helen Nicolay:

hired at a livery stable a small fleet horse.

A few moments before ten o'clock, leaving his horse at the rear of the theatre, in charge of a call-boy, he entered the building, passing rapidly to the little hallway leading to the President's box. Showing a card to the servant in attendance, he was allowed to enter, closed the door noiselessly, and secured it with the wooden bar he had made ready, without disturbing any of the occupants of the box, between whom and himself yet remained the partition and the door through which he had bored the hole.

No one, not even the actor who uttered them, could ever remember the last words of the piece that were spoken that night--the last

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lemorne Versus Huell by Elizabeth Drew Stoddard:

to look up the Misses Uxbridge, his nieces, on the other side of the hall.

"Paterfamilias Uxbridge has left his brood in my charge," he said. "I try to do my duty," and he held out a twisted pearl- colored glove, which he had pulled off while talking. What white nervous fingers he had! I thought they might pinch like steel.

"You suppose," he repeated.

"I do not look at Newport."

"Have you observed Waterbury?"

"I observe what is in my sphere."

"Oh!"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Black Tulip by Alexandre Dumas:

Rosa and his bulbs, would have appeared to him preferable to any other habitation in the world without Rosa and his bulbs.

Rosa, in fact, had promised to come and see him every evening, and from the first evening she had kept her word.

On the following evening she went up as before, with the same mysteriousness and the same precaution. Only she had this time resolved within herself not to approach too near the grating. In order, however, to engage Van Baerle in a conversation from the very first which would seriously occupy his attention, she tendered to him through the


The Black Tulip