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Today's Stichomancy for Barack Obama

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Age of Innocence by Edith Wharton:

real one in the summer-house. The longing was with him day and night, an incessant undefinable craving, like the sudden whim of a sick man for food or drink once tasted and long since forgotten. He could not see beyond the craving, or picture what it might lead to, for he was not conscious of any wish to speak to Madame Olenska or to hear her voice. He simply felt that if he could carry away the vision of the spot of earth she walked on, and the way the sky and sea enclosed it, the rest of the world might seem less empty.

When he reached the stud-farm a glance showed him

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Babbitt by Sinclair Lewis:

maiden spinning, cat demure before a white fireplace. (Nineteen out of every twenty houses in Floral Heights had either a hunting-print, a Madame Feit la Toilette print, a colored photograph of a New England house, a photograph of a Rocky Mountain, or all four.)

It was a room as superior in comfort to the "parlor" of Babbitt's boyhood as his motor was superior to his father's buggy. Though there was nothing in the room that was interesting, there was nothing that was offensive. It was as neat, and as negative, as a block of artificial ice. The fireplace was unsoftened by downy ashes or by sooty brick; the brass fire-irons were of immaculate polish; and the grenadier andirons were like samples in a shop, desolate, unwanted, lifeless things of commerce.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

wear yet a little longer."

"No, it would only be a waste of time and money," said Petrovitch; and Akakiy Akakievitch went away after these words, utterly discouraged. But Petrovitch stood for some time after his departure, with significantly compressed lips, and without betaking himself to his work, satisfied that he would not be dropped, and an artistic tailor employed.

Akakiy Akakievitch went out into the street as if in a dream. "Such an affair!" he said to himself: "I did not think it had come to--" and then after a pause, he added, "Well, so it is! see what it has come to at last! and I never imagined that it was so!" Then followed a long


Taras Bulba and Other Tales
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Red Inn by Honore de Balzac:

vainly called to his hostler, the two young men entered the public room of the inn. Thick white clouds exhaled by a numerous company of smokers prevented them from at first recognizing the persons with whom they were thrown; but after sitting awhile near the table, with the patience practised by philosophical travellers who know the inutility of making a fuss, they distinguished through the vapors of tobacco the inevitable accessories of a German inn: the stove, the clock, the pots of beer, the long pipes, and here and there the eccentric physiognomies of Jews, or Germans, and the weather-beaten faces of mariners. The epaulets of several French officers were glittering through the mist, and the clank of spurs and sabres echoed incessantly