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Today's Stichomancy for Barbara Streisand

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Court Life in China by Isaac Taylor Headland:

artificial flowers, followed by little boys and girls as gaily dressed as themselves. Here they find all kinds of toys, curios, and articles of general use, from a top to a broom, from bits of jade or other precious stones, to a snuff bottle hollowed out of a solid quartz crystal, or a market basket or a dust-pan made of reeds.

Peking being the city of the court, and the headquarters of many of the greatest officials, is the receptacle of the finest products of the oldest and greatest non-Christian people the world has ever known. China easily leads the world in the making of porcelain, the best of which has always gone to Peking for use

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Works of Samuel Johnson by Samuel Johnson:

The last royal projectors with whom the world has been troubled, were Charles of Sweden and the Czar of Muscovy. Charles, if any judgment may be formed of his designs by his measures and his inquiries, had purposed first to dethrone the Czar, then to lead his army through pathless deserts into China, thence to make his way by the sword through the whole circuit of Asia, and by the conquest of Turkey to unite Sweden with his new dominions: but this mighty project was crushed at Pultowa; and Charles has since been considered as a madman

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dreams & Dust by Don Marquis:

And we have come by divers ways To keep this merry tryst, But few of us have kept within The Narrow Way, I wist; For we are those whose ampler wits And hearts have proved our curse-- Foredoomed to ken the better things And aye to do the worse!

Long since we learned to mock ourselves; And from self-mockery fell

To heedless laughter in the face

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Tin Woodman of Oz by L. Frank Baum:

"Of course," declared the Giantess; "and I have added a little magic to your transformations to make you all contented with wearing your new forms. I'm sorry I didn't think to do that when I transformed Polychrome into a Canary-Bird. But perhaps, when she sees how cheerful you are, she will cease to be silent and sullen and take to singing. I will go get the bird and let you see her."

With this, Mrs. Yoop went into the next room and soon returned bearing a golden cage in which sat upon a swinging perch a lovely yellow Canary. "Polychrome,"


The Tin Woodman of Oz