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Today's Stichomancy for Barbara Streisand

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing in the prelude to that great work of art a presentation of the tragedy of his own soul.

On one occasion he took up the study of jewels, and appeared at a costume ball as Anne de Joyeuse, Admiral of France, in a dress covered with five hundred and sixty pearls. This taste enthralled him for years, and, indeed, may be said never to have left him. He would often spend a whole day settling and resettling in their cases the various stones that be had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver,


The Picture of Dorian Gray
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Shadow out of Time by H. P. Lovecraft:

After man there would be the mighty beetle civilisation, the bodies of whose members the cream of the Great Race would seize when the monstrous doom overtook the elder world. Later, as the earth's span closed, the transferred minds would again migrate through time and space - to another stopping-place in the bodies of the bulbous vegetable entities of Mercury. But there would be races after them, clinging pathetically to the cold planet and burrowing to its horror-filled core, before the utter end. Meanwhile, in my dreams, I wrote endlessly in that history of my own age


Shadow out of Time
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Several Works by Edgar Allan Poe:

In there stepped a stately Raven of the saintly days of yore. Not the least obeisance made he; not a minute stopped or stayed he, But, with mien of lord or lady, perched above my chamber door-- Perched upon a bust of Pallas just above my chamber door-- Perched, and sat, and nothing more.

Then the ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore, "Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Ghastly grim and ancient Raven wandering from the Nightly shore-- Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Child of Storm by H. Rider Haggard:

came to tell us that Zikali waited our presence. We followed him across an open space to a kind of door in the tall reed fence, passing which I set eyes for the first time upon the famous old witch-doctor of whom so many tales were told.

Certainly he was a curious sight in those strange surroundings, for they were very strange, and I think their complete simplicity added to the effect. In front of us was a kind of courtyard with a black floor made of polished ant-heap earth and cow-dung, two-thirds of which at least was practically roofed in by the huge over-hanging mass of rock whereof I have spoken, its arch bending above at a height of not less than sixty or seventy feet from the ground. Into this great, precipice-backed


Child of Storm