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Today's Stichomancy for Barbara Streisand

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Collection of Antiquities by Honore de Balzac:

outside her experience; so d'Esgrignon got up a charming little party at the Rocher de Cancale for her benefit, asked all the amiable scamps whom she cultivated and sermonized, and there was a vast amount of merriment, wit, and gaiety, and a corresponding bill to pay. That supper led to others. And through it all Victurnien worshiped her as an angel. Mme. de Maufrigneuse for him was still an angel, untouched by any taint of earth; an angel at the Varietes, where she sat out the half-obscene, vulgar farces, which made her laugh; an angel through the cross-fire of highly-flavored jests and scandalous anecdotes, which enlivened a stolen frolic; a languishing angel in the latticed box at the Vaudeville; an angel while she criticised the postures of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:

Elizabeth Vernon, so he needed no entreaties to marry; he was not beautiful; he did not resemble his mother, as Mr. W. H. did -

Thou art thy mother's glass, and she in thee Calls back the lovely April of her prime;

and, above all, his Christian name was Henry, whereas the punning sonnets (CXXXV. and CXLIII.) show that the Christian name of Shakespeare's friend was the same as his own - WILL.

'As for the other suggestions of unfortunate commentators, that Mr. W. H. is a misprint for Mr. W. S., meaning Mr. William Shakespeare; that "Mr. W. H. all" should be read "Mr. W. Hall"; that Mr. W. H. is Mr. William Hathaway; and that a full stop should be placed

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The White Moll by Frank L. Packard:

little way, to Gypsy Nan's - not so far as the distance between her and Rorke - and - and if the man didn't gain too fast, then - then - A little cry of dismay came with a new and terrifying thought. Quite apart from Rorke, some one else might see her enter Gypsy Nan's! She strained her eyes in all directions as she ran. There wasn't any one - she didn't see any one - only Rorke, around the corner there, was bawling out at the top of his voice, and - and...

She flung herself against Gypsy Nan's door, stumbled in, and, closing it, heard Rorke just swinging around the corner. Had he seen her? She didn't know. She was panting, gasping for her

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Malbone: An Oldport Romance by Thomas Wentworth Higginson:

that he had not been thrown.

The only exception to this was in the case of Aunt Jane. If she had anything in common with Philip,--and there was a certain element of ingenuous unconsciousness in which they were not so far unlike,--it only placed them in the more complete antagonism. Perhaps if two beings were in absolutely no respect alike, they never could meet even for purposes of hostility; there must be some common ground from which the aversion may proceed. Moreover, in this case Aunt Jane utterly disbelieved in Malbone because she had reason to disbelieve in his father, and the better she knew the son the more she disliked the