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Today's Stichomancy for Barbara Streisand

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lily of the Valley by Honore de Balzac:

de Mortsauf's sad face. I resolved to leave the court at Ghent and serve my true sovereign. God rewarded me. The emissary sent by the Vendeens was unable to return. The king wanted a messenger who would faithfully carry back his instructions. The Duc de Lenoncourt knew that the king would never forget the man who undertook so perilous an enterprise; he asked for the mission without consulting me, and I gladly accepted it, happy indeed to be able to return to Clochegourde employed in the good cause.

After an audience with the king I returned to France, where, both in Paris and in Vendee, I was fortunate enough to carry out his Majesty's instructions. Towards the end of May, being tracked by the Bonapartist


The Lily of the Valley
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Magic of Oz by L. Frank Baum:

drew out a small axe, made of some metal so highly polished that it glittered brightly even in the dark forest. The Wizard laid the little axe on the ground and said in a commanding voice:

"Chop, Little Axe, chop clean and true; A path for our feet you must quickly hew. Chop till this tangle of jungle is passed; Chop to the east, Little Axe--chop fast!"

Then the little axe began to move and flashed its bright blade right and left, clearing a way through vine and brush and scattering the tangled barrier so quickly that the Lion and the Tiger, carrying Dorothy and the Wizard and the cage of monkeys on their backs, were


The Magic of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Talisman by Walter Scott:

ungovernable, and leave no game in Palestine.--But to this piece of learned heathenesse--sayest thou the Scot met him in the desert?"

"No, my liege; the Scot's tale runs thus. He was dispatched to the old hermit of Engaddi, of whom men talk so much--"

"'Sdeath and hell!" said Richard, starting up. "By whom dispatched, and for what? Who dared send any one thither, when our Queen was in the Convent of Engaddi, upon her pilgrimage for our recovery?"

"The Council of the Crusade sent him, my lord," answered the Baron de Vaux; "for what purpose, he declined to account to me.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Journey to the Center of the Earth by Jules Verne:

remains of twenty ages mingled their dust together. Huge mounds of bony fragments rose stage after stage in the distance. They undulated away to the limits of the horizon, and melted in the distance in a faint haze. There within three square miles were accumulated the materials for a complete history of the animal life of ages, a history scarcely outlined in the too recent strata of the inhabited world.

But an impatient curiosity impelled our steps; crackling and rattling, our feet were trampling on the remains of prehistoric animals and interesting fossils, the possession of which is a matter of rivalry and contention between the museums of great cities. A


Journey to the Center of the Earth