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Today's Stichomancy for Barbara Streisand

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Sentimental Journey by Laurence Sterne:

gave him to Lord E-; and so on - half round the alphabet. From that rank he pass'd into the lower house, and pass'd the hands of as many commoners. But as all these wanted to GET IN, and my bird wanted to GET OUT, he had almost as little store set by him in London as in Paris.

It is impossible but many of my readers must have heard of him; and if any by mere chance have ever seen him, I beg leave to inform them, that that bird was my bird, or some vile copy set up to represent him.

I have nothing farther to add upon him, but that from that time to this I have borne this poor starling as the crest to my arms. -

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Foolish Virgin by Thomas Dixon:

right gripping the knife, her face convulsed with greed--avarice and murder blended into perfect hell-lit unity at last.

Jim lay on his back, limp and still, obliquely across the couch, his breast bared in the struggle, the blood oozing a widening scarlet blot on his white shirt. His head had fallen backward over the edge and could not be seen.

Without moving a muscle, her body crouching, Nance spoke:

"You wuz awake--you heered?"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Phoenix and the Turtle by William Shakespeare:

Reason, in itself confounded, Saw division grow together; To themselves yet either-neither, Simple were so well compounded.

That it cried how true a twain Seemeth this concordant one! Love hath reason, reason none If what parts can so remain.

Whereupon it made this threne To the phoenix and the dove, Co-supreme and stars of love;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

were carrying out our magnificent purchases and packing them into the carts, we sat at the entry of the greenhouse and chatted about one thing and another. It is extremely pleasant to sit in a garden on a still April morning, listening to the birds, and watching the flowers brought out into the open air and basking in the sunshine.

The head-gardener, Mihail Karlovitch, a venerable old man with a full shaven face, wearing a fur waistcoat and no coat, superintended the packing of the plants himself, but at the same time he listened to our conversation in the hope of hearing something new. He was an intelligent, very good-hearted man,


The Schoolmistress and Other Stories