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Today's Stichomancy for Ben Affleck

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis:

another fancy floated up before her, oddly life-like: of the old seat she made under the currant-bushes at home when she was a child, and the plans she laid for herself, when she should be a woman, sitting there,--how she would dig down into the middle of the world, and find the kingdom of the griffins, or would go after Mercy and Christiana in their pilgrimage. It was only a little while ago since these things were more alive to her than anything else in the world. The seat was under the currant-bushes still. Very little time ago; but she was a woman now,--and, look here! A chance ray of sunlight slanted in, falling barely on the dust, the hot heaps of wool, waking a


Margret Howth: A Story of To-day
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Familiar Studies of Men and Books by Robert Louis Stevenson:

call the history of the period passed, I imagine, over the heads of these good people much as it passes over our own. News reached them, indeed, of great and joyful import. William Peel received eight livres and five sous from the duchess, when he brought the first tidings that Rouen was recaptured from the English. (1) A little later and the duke sang, in a truly patriotic vein, the deliverance of Guyenne and Normandy. (2) They were liberal of rhymes and largesse, and welcomed the prosperity of their country much as they welcomed the coming of spring, and with no more thought of collaborating towards the event. Religion was not forgotten

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Research Magnificent by H. G. Wells:

masses of notes I have made in my search for the life that is worth while living. . . . We who are self-appointed aristocrats, who are not ashamed of kingship, must speak to one another. . . .

"We can have no organization because organizations corrupt. . . .

"No recognition. . . .

"But we can speak plainly. . . ."

(As he talked his voice was for a space drowned by the jingle and voices of mounted police riding past the hotel.)

"But on one side your aristocracy means revolution," said White. "It becomes a political conspiracy."

"Manifestly. An open conspiracy. It denies the king upon the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Rescue by Joseph Conrad:

"We have remained unmolested so long here," began Mrs. Travers a little unsteadily, "that it makes it very difficult to believe in danger, now. We saw no one all these days except those two people who came for you. If you may not explain--"

"Of course, you can't be expected to see through a wall," broke in Lingard. "This coast's like a wall, but I know what's on the other side. . . . A yacht here, of all things that float! When I set eyes on her I could fancy she hadn't been more than an hour from home. Nothing but the look of her spars made me think of old times. And then the faces of the chaps on board. I seemed to know them all. It was like home coming to me when I wasn't thinking of


The Rescue