| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Enemies of Books by William Blades: grave opened again for a scaffold pole, and all their skeletons
and their nest discovered. Their bones and paper fragments
of the nest may now be seen in a glass case in the Chapter House,
some of the fragments being attributed to books from the press
of Caxton. This is not the case, although there are pieces of very
early black-letter books not now to be found in the Abbey library,
including little bits of the famous Queen Elizabeth's Prayer book,
with woodcuts, 1568.
A friend sends me the following incident: "A few years since,
some rats made nests in the trees surrounding my house;
from thence they jumped on to some flat roofing, and so made
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw: beyond all ordinary human talent. Beethoven's far blunter craft
was thoroughly popular and practicable: not to save his soul
could he have drawn one long Gothic line in sound as Bach could,
much less have woven several of them together with so apt a
harmony that even when the composer is unmoved its progressions
saturate themselves with the emotion which (as modern critics are
a little apt to forget) springs as warmly from our delicately
touched admiration as from our sympathies, and sometimes makes us
give a composer credit for pathetic intentions which he does not
entertain, just as a boy imagines a treasure of tenderness and
noble wisdom in the beauty of a woman. Besides, Bach set comic
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Illustrious Gaudissart by Honore de Balzac: of the colored glass in our cathedrals; also Verville and Courier. But
the Tourangian, distinguished though he may be in other regions, sits
in his own home like an Indian on his mat or a Turk on his divan. He
employs his wit in laughing at his neighbor and in making merry all
his days; and when at last he reaches the end of his life, he is still
a happy man. Touraine is like the Abbaye of Theleme, so vaunted in the
history of Gargantua. There we may find the complying sisterhoods of
that famous tale, and there the good cheer celebrated by Rabelais
reigns in glory.
As to the do-nothingness of that blessed land it is sublime and well
expressed in a certain popular legend: "Tourangian, are you hungry, do
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Poems of Goethe, Bowring, Tr. by Johann Wolfgang von Goethe: And not having the spirit to try and raise his position.
Had my father but cared for me, as I have for you, sir,
Sent me to school betimes, and given me proper instructors,
I should not merely have been the host of the famed Golden Lion."
But the son arose, and approach'd the doorway in silence,
Slowly, and making no noise: but then the father in dudgeon
After him shouted:--"Be off! I know you're an obstinate fellow!
Go and look after the business; else I shall scold you severely;
But don't fancy I'll ever allow you to bring home in triumph
As my daughter-in-law any boorish impudent hussy.
Long have I lived in the world, and know how to manage most people,
|