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Today's Stichomancy for Benito Juarez

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Virginian by Owen Wister:

guests with a sombre attention. "D' yu' reckon they find joyful digestion in this swallo'-an'-get-out trough?"

"What are you doing here, then?" said I.

"Oh, pshaw! When yu' can't have what you choose, yu' just choose what you have." And he took the bill-of-fare. I began to know that he had something on his mind, so I did not trouble him further.

Meanwhile he sat studying the bill-of-fare.

"Ever heard o' them?" he inquired, shoving me the spotted document.

Most improbable dishes were there,--salmis, canapes,


The Virginian
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Blue Flower by Henry van Dyke:

Saloma. I came to see the meaning of what the old man had said about the shadow that rested upon his thoughts. For there were some in the city who said that the hours of visitation were wasted, and that it would be better to employ the time in gathering water from the pools that formed among the mountains in the rainy season, or in sinking wells along the edge of the desert. Others had newly come to the city and were teaching that there was no Source, and that the story of the poor man who reopened it was a fable, and that the hours of visitation were only hours of dreaming. There were many who believed them, and many more who said that it did not matter

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Shadow out of Time by H. P. Lovecraft:

it and the photographs had upon me. I was, for a time, almost stunned and incredulous; for although I had often thought that some basis of fact must underlie certain phases of the legends which had coloured my dreams, I was none the less unprepared for anything like a tangible survival from a lost world remote beyond all imagination. Most devastating of all were the photographs - for here, in cold, incontrovertible realism, there stood out against a background of sand certain worn-down, water-ridged, storm-weathered blocks of stone whose slightly convex tops and slightly concave bottoms told their own story.


Shadow out of Time
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Youth by Joseph Conrad:

drifted to leeward, light and slow: a pestiferous cloud defiling the splendor of sea and sky.

"All this time of course we saw no fire. The cargo smoldered at the bottom somewhere. Once Mahon, as we were working side by side, said to me with a queer smile: 'Now, if she only would spring a tidy leak-- like that time when we first left the Channel--it would put a stopper on this fire. Wouldn't it?' I remarked irrelevantly, 'Do you remember the rats?'

"We fought the fire and sailed the ship too as carefully as though nothing had been the matter. The steward


Youth