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Today's Stichomancy for Benito Juarez

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dorothy and the Wizard in Oz by L. Frank Baum:

would not stay in the Land of Oz much longer.

The next evening after the trial the little girl begged Ozma to allow her to look in the enchanted picture, and the Princess readily consented. She took the child to her room and said: "Make your wish, dear, and the picture will show the scene you desire to behold."

Then Dorothy found, with the aid of the enchanted picture, that Uncle Henry had returned to the farm in Kansas, and she also saw that both he and Aunt Em were dressed in mourning, because they thought their little niece had been killed by the earthquake.

"Really," said the girl, anxiously, "I must get back as soon as poss'ble to my own folks."


Dorothy and the Wizard in Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lost Princess of Oz by L. Frank Baum:

"He never makes a mistake," declared the King.

"He did once, surely," said Betsy. "But perhaps he wouldn't make a mistake again."

"He won't have the chance," grumbled the Bear King.

"We might hear what he has to say," said Dorothy. "It won't do any harm to ask the Pink Bear where Ozma is."

"I will not have him questioned," declared the King in a surly voice. "I do not intend to allow my little Pink Bear to be again insulted by your foolish doubts. He never makes a mistake."

"Didn't he say Ozma was in that hole in the ground?" asked Betsy.


The Lost Princess of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ion by Plato:

but very idiotic themselves.' (Compare Aristotle, Met.)

Ion the rhapsode has just come to Athens; he has been exhibiting in Epidaurus at the festival of Asclepius, and is intending to exhibit at the festival of the Panathenaea. Socrates admires and envies the rhapsode's art; for he is always well dressed and in good company--in the company of good poets and of Homer, who is the prince of them. In the course of conversation the admission is elicited from Ion that his skill is restricted to Homer, and that he knows nothing of inferior poets, such as Hesiod and Archilochus;--he brightens up and is wide awake when Homer is being recited, but is apt to go to sleep at the recitations of any other poet. 'And yet, surely, he who knows the superior ought to know the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Falk by Joseph Conrad:

are yet a few shipmasters afloat who remember Falk and his tug very well. He extracted his pound and a half of flesh from each of us merchant-skippers with an inflexible sort of indifference which made him detested and even feared. Schomberg used to remark: "I won't talk about the fellow. I don't think he has six drinks from year's end to year's end in my place. But my advice is, gentlemen, don't you have anything to do with him, if you can help it."

This advice, apart from unavoidable business re-


Falk