| The first excerpt represents the past or something you must release, and is drawn from Glinda of Oz by L. Frank Baum: lake, unless the Skeezers let us catch what we wanted.
They defied us, so Rora prepared a kettleful of magic
poison and went down to the lake one night to dump it
all in the water and poison the fish. It was a clever
idea, quite worthy of my dear wife, but the Skeezer
Queen -- a young lady named Coo-ee-oh -- hid on the
bank of the lake and taking Rora unawares, transformed
her into a Golden Pig. The poison was spilled on the
ground and wicked Queen Coo-ee-oh, not content with her
cruel transformation, even took away my wife's four
cans of brains, so she is now a common grunting pig
 Glinda of Oz |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from 1492 by Mary Johntson: lands, purple clusters hanging high and low, but they knew
not wine.
Men and women danced, now in separate bands, now
mingled together. Decorum was kept. We afterwards
knew that it had been a religious dance. They had war
dances, hunting dances, dances at the planting of their corn,
ghost dances and others. This now was a thing to watch,
like a beautiful masque. They were very graceful, very supple;
they had their own dignity.
We learned much in the three days we spent in this town.
Men and women for instance! That nakedness of the body,
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The third excerpt represents the future or something you must embrace, and is drawn from The Circular Staircase by Mary Roberts Rinehart: the Traders' Bank, in an interior town in California, had been
responded to by a telegram from Doctor Walker, the young
physician who was traveling with the Armstrong family, saying
that Paul Armstrong was very ill and unable to travel.
That was how things stood that Tuesday evening. The Traders'
Bank had suspended payment, and John Bailey was under arrest,
charged with wrecking it; Paul Armstrong lay very ill in
California, and his only son had been murdered two days before.
I sat dazed and bewildered. The children's money was gone: that
was bad enough, though I had plenty, if they would let me share.
But Gertrude's grief was beyond any power of mine to comfort; the
 The Circular Staircase |