| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lemorne Versus Huell by Elizabeth Drew Stoddard: accompany her--not because she was fond of me, or wished to give me
pleasure, but because I was useful in various ways. Mother insisted
upon my accepting her invitation, not because she loved her late
husband's sister, but because she thought it wise to cotton to her
in every particular, for Aunt Eliza was rich, and we--two lone
women--were poor.
I gave my music-pupils a longer and earlier vacation than usual,
took a week to arrange my wardrobe--for I made my own dresses--and
then started for New York, with the five dollars which Aunt Eliza
had sent for my fare thither. I arrived at her house in Bond Street
at 7 A.M., and found her man James in conversation with the
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Menexenus by Plato: (for the so-called Funeral Oration of Demosthenes is a bad and spurious
imitation of Thucydides and Lysias), conformed to a regular type. They
began with Gods and ancestors, and the legendary history of Athens, to
which succeeded an almost equally fictitious account of later times. The
Persian war usually formed the centre of the narrative; in the age of
Isocrates and Demosthenes the Athenians were still living on the glories of
Marathon and Salamis. The Menexenus veils in panegyric the weak places of
Athenian history. The war of Athens and Boeotia is a war of liberation;
the Athenians gave back the Spartans taken at Sphacteria out of kindness--
indeed, the only fault of the city was too great kindness to their enemies,
who were more honoured than the friends of others (compare Thucyd., which
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