| The first excerpt represents the past or something you must release, and is drawn from Faraday as a Discoverer by John Tyndall: deportment of the wire resembles far more that of a body moving in a
resisting medium than anything else; the resistance ceasing when the
motion is suspended. Let us imagine the case of a liquid so mobile
that the hand may be passed through it to and fro, without
encountering any sensible resistance. It resembles the motion of a
conductor in the unexcited field of an electro-magnet. Now, let us
suppose a body placed in the liquid, or acting on it, which confers
upon it the property of viscosity; the hand would no longer move
freely. During its motion, but then only, resistance would be
encountered and overcome. Here we have rudely represented the case
of the excited magnetic field, and the result in both cases would be
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Democracy In America, Volume 2 by Alexis de Toqueville: that, though he be not able to come forward frequently, he should
on each occasion prove what he is capable of doing; and that,
instead of perpetually lavishing his powers, he should
occasionally condense them in a small compass, so as to furnish a
sort of complete and brilliant epitome of his constituents and of
himself. On these terms they will vote for him at the next
election. These conditions drive worthy men of humble abilities
to despair, who, knowing their own powers, would never
voluntarily have come forward. But thus urged on, the
Representative begins to speak, to the great alarm of his
friends; and rushing imprudently into the midst of the most
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The third excerpt represents the future or something you must embrace, and is drawn from Blix by Frank Norris: passing by the door of each one of its eight rooms in turn.
Travis preceded Condy, and turned up one of the burners in colored
globe of the little brass chandelier.
The parlor was a small affair, peopled by a family of chairs and
sofas robed in white drugget. A gold-and-white effect had been
striven for throughout the room. The walls had been tinted
instead of papered, and bunches of hand-painted pink flowers tied
up with blue ribbons straggled from one corner of the ceiling.
Across one angle of the room straddled a brass easel upholding a
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