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Today's Stichomancy for Benjamin Franklin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

of the easiest of men to fall in talk withal. A conversation usually ripened into a peculiar sort of intimacy, and it was extraordinary how many little services Van Tromp contrived to render in the course of six-and-thirty hours. He occupied a position between a friend and a courier, which made him worse than embarrassing to repay. But those whom he obliged could always buy one of his villainous little pictures, or, where the favours had been prolonged and more than usually delicate, might order and pay for a large canvas, with perfect certainty that they would hear no more of the transaction.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Turn of the Screw by Henry James:

of the anguish that was to come. So we circled about, with terrors and scruples, like fighters not daring to close. But it was for each other we feared! That kept us a little longer suspended and unbruised. "I'll tell you everything," Miles said--"I mean I'll tell you anything you like. You'll stay on with me, and we shall both be all right, and I WILL tell you--I WILL. But not now."

"Why not now?"

My insistence turned him from me and kept him once more at his window in a silence during which, between us, you might have heard a pin drop. Then he was before me again with the air of a person for whom,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Rezanov by Gertrude Atherton:

mattered not, the present with its ever changing hues on bay and hill, its cool electrical breezes stir- ring imagination and pulse, was all in all.

And it was in San Francisco's springtime that Concha Arguello made chocolate for the Russian to whom she was to give a niche in the history of her land; and sang at her task. She whirled the molinillo in each cup as it was filled, whipping the fragrant liquid to froth; pausing only to scold when her servant stained one of the dainty saucers or cups. Poor Rosa did not sing, although the spring


Rezanov
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson:

torrents streamed into the plain on every side, till the cavern was too narrow to discharge the water. The lake overflowed its banks, and all the level of the valley was covered with the inundation. The eminence on which the palace was built, and some other spots of rising ground, were all that the eye could now discover. The herds and flocks left the pasture, and both the wild beasts and the tame retreated to the mountains.

This inundation confined all the princes to domestic amusements, and the attention of Rasselas was particularly seized by a poem (which Imlac rehearsed) upon the various conditions of humanity. He commanded the poet to attend him in his apartment, and recite