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Today's Stichomancy for Bill O'Reilly

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Odyssey by Homer:

'Old man, thou hast no lack of skill in tending a garden; lo, thou carest well for all, {*} nor is there aught whatsoever, either plant or fig-tree, or vine, yea, or olive, or pear, or garden-bed in all the close, that is not well seen to. Yet another thing will I tell thee and lay not up wrath thereat in thy heart. Thyself art scarce so well cared for, but a pitiful old age is on thee, and withal thou art withered and unkempt, and clad unseemly. It cannot be to punish thy sloth that thy master cares not for thee; there shows nothing of the slave about thy face and stature, for thou art like a kingly man, even like one who


The Odyssey
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Phoenix and the Turtle by William Shakespeare:

'Twixt the turtle and his queen; But in them it were a wonder.

So between them love did shine, That the turtle saw his right Flaming in the phoenix' sight: Either was the other's mine.

Property was thus appall'd, That the self was not the same; Single nature's double name Neither two nor one was call'd.

Reason, in itself confounded,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tales of the Klondyke by Jack London:

"You blasted--ugh--"

Kent merely threw back his weight, shutting off the other's wind.

"Bloomin'--Bur--ugh--"

"Where is it?" Kent repeated.

"Wot?" Cardegee asked, as soon as he had caught his breath.

"The gold-dust."

"Wot gold-dust?" the perplexed sailor demanded.

"You know well enough,--mine."

"Ain't seen nothink of it. Wot do ye take me for? A safe- deposit? Wot 'ave I got to do with it, any'ow?"

"Mebbe you know, and mebbe you don't know, but anyway, I'm going

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Second Home by Honore de Balzac:

to hear the reply.

"Alas!" sobbed the woman, "the wretch has left me nothing that I can bequeath. When he robbed me of my dear Caroline, he parted us, and only allowed me three thousand francs a year, of which the capital belongs to my daughter."

"Madame has a daughter, and nothing to live on but an annuity," shrieked Francoise, bursting into the drawing-room.

The three old crones looked at each other in dismay. One of them, whose nose and chin nearly met with an expression that betrayed a superior type of hypocrisy and cunning, winked her eyes; and as soon as Francoise's back was turned, she gave her friends a nod, as much as