| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Father Sergius by Leo Tolstoy: this by giving music lessons to tradesmen's daughters, giving
four and sometimes five lessons a day of an hour each, and
earning in this way some sixty rubles (6 pounds) a month. So
they lived for the present, in expectation of another
appointment. She had sent letters to all her relations and
acquaintances asking them to obtain a post for her son-in-law,
and among the rest she had written to Sergius, but that letter
had not reached him.
It was a Saturday, and Praskovya Mikhaylovna was herself mixing
dough for currant bread such as the serf-cook on her father's
estate used to make so well. She wished to give her
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from When the World Shook by H. Rider Haggard: ending in darkness and disaster, and hope that will surely suffer
hope's eclipse, and power that must lay down its coronet in
dust."
"And what has it brought to you, Yva, beyond a fair body and a
soul of strength?"
"It has brought a spirit, Humphrey. Between them the body and
the soul have bred a spirit, and in the fires of tribulation from
that spirit has been distilled the essence of eternal love. That
is Time's gift to me, and therefore, although still he rules me
here, I mock at Fate," and she waved her hand with a gesture of
defiance at the stern-faced, sexless effigy which sat above us,
 When the World Shook |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mysterious Affair at Styles by Agatha Christie: "I can't feel as you do, Lawrence," he said at last. "I'm
inclined to give Hastings a free hand, though I should prefer to
wait a bit. We don't want any unnecessary scandal."
"No, no," I cried eagerly, "you need have no fear of that.
Poirot is discretion itself."
"Very well, then, have it your own way. I leave it in your
hands. Though, if it is as we suspect, it seems a clear enough
case. God forgive me if I am wronging him!"
I looked at my watch. It was six o'clock. I determined to lose
no time.
Five minutes' delay, however, I allowed myself. I spent it in
 The Mysterious Affair at Styles |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Human Drift by Jack London: and into Prince. If the lash strikes Maid, her thoroughbredness
will go up in the air, and I'll have a case of horse hysteria on
my hands for the next half hour. But follow. The whole problem
is not yet stated. Suppose that I miss Maid and reach the
intended target. The instant the lash cracks, the four horses
jump, Prince most of all, and his jump, with spread wicked teeth,
is for the back of Milda's neck. She jumps to escape--which is
her second jump, for the first one came when the lash exploded.
The Outlaw reaches for Maid's neck, and Maid, who has already
jumped and tried to bolt, tries to bolt harder. And all this
infinitesimal fraction of time I am trying to hold the four
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