Today's Stichomancy for Billy Joel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Case of the Golden Bullet by Grace Isabel Colbron and Augusta Groner:

before an attractive little villa surrounded by its own garden, as were most of the houses in this quiet, aristocratic part of the town.

The house was two stories high, but the upper windows were closed and tightly curtained. This upper story was the apartment occupied by the owner of the house, who was now in Italy with his invalid wife. Otherwise the dainty little villa, built in the fashionable Nuremberg style, with heavy wooden doors and lozenged-paned windows, had no occupants except Professor Fellner and his servant. With its graceful outlines and well-planned garden, the dwelling had a most attractive appearance. Opposite it was the broad avenue known

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Secret Adversary by Agatha Christie:

recognition.

Astley Priors was a pleasant red-brick edifice, surrounded by well-wooded grounds which effectually shielded the house from observation from the road.

On the first evening Tommy, accompanied by Albert, explored the grounds. Owing to Albert's insistence they dragged themselves along painfully on their stomachs, thereby producing a great deal more noise than if they had stood upright. In any case, these precautions were totally unnecessary. The grounds, like those of any other private house after nightfall, seemed untenanted. Tommy had imagined a possible fierce watchdog. Albert's fancy ran

Secret Adversary

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Options by O. Henry:

known to indulge in a riotous profusion of food at home.

The potato girl was quite slim and small, and handled her potatoes as an old bachelor uncle handles a baby who is cutting teeth. She had a dull shoemaker's knife in her right hand, and she had begun to peel one of the potatoes with it.

Hetty addressed her in the punctiliously formal tone of one who intends to be cheerfully familiar with you in the second round.

"Beg pardon," she said, "for butting into what's not my business, but if you peel them potatoes you lose out. They're new Bermudas. You want to scrape 'em. Lemme show you."

She took a potato and the knife, and began to demonstrate.

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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Statesman by Plato:

to that, will still reserve a considerable field for themselves.

YOUNG SOCRATES: Very true.

STRANGER: Besides these, there are the arts which make tools and instruments of weaving, and which will claim at least to be co-operative causes in every work of the weaver.

YOUNG SOCRATES: Most true.

STRANGER: Well, then, suppose that we define weaving, or rather that part of it which has been selected by us, to be the greatest and noblest of arts which are concerned with woollen garments--shall we be right? Is not the definition, although true, wanting in clearness and completeness; for do not all those other arts require to be first cleared away?

Statesman