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Today's Stichomancy for Billy Joel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Stories From the Old Attic by Robert Harris:

fly on its own through the air. Don't you see that? This is against the laws of nature--it violates the law of gravity."

"Well," said the traveler, "perhaps there is another law, or perhaps there is a higher law than the law of gravity, which, when it is understood, will explain how planes can fly."

"That's just what I'd expect a religious fanatic to say," said a man who had been listening in. "Science can jump into the trash as far as you religious types are concerned."

"Not at all," said the traveler. "But your science is not perfect. You do not yet know everything about everything, what is possible and what is not possible."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Ideal Husband by Oscar Wilde:

silly when they are caught. And they are always being caught. [Looks about room and approaches the writing-table.] What a very interesting room! What a very interesting picture! Wonder what his correspondence is like. [Takes up letters.] Oh, what a very uninteresting correspondence! Bills and cards, debts and dowagers! Who on earth writes to him on pink paper? How silly to write on pink paper! It looks like the beginning of a middle-class romance. Romance should never begin with sentiment. It should begin with science and end with a settlement. [Puts letter down, then takes it up again.] I know that handwriting. That is Gertrude Chiltern's. I remember it perfectly. The ten commandments in every stroke of the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Plain Tales from the Hills by Rudyard Kipling:

tigers of Darjiling, toiling in the vain hope that she might come back to him. Her husband was worth ten Phils, except that he had rheumatism of the heart. Three years after he was married--and after he had tried Nice and Algeria for his complaint--he went to Bombay, where he died, and set Agnes free. Being a devout woman, she looked on his death and the place of it, as a direct interposition of Providence, and when she had recovered from the shock, she took out and reread Phil's letter with the "etc., etc.," and the big dashes, and the little dashes, and kissed it several times. No one knew her in Bombay; she had her husband's income, which was a large one, and Phil was close at hand. It was wrong

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Heritage of the Desert by Zane Grey:

sand."

Mescal led Hare under the cottonwoods and pointed to the Indian's grave, now green with grass. Farther on in a circle of trees stood a little hogan skilfully constructed out of brush; the edge of a red blanket peeped from the door; a burnt-out fire smoked on a stone fireplace, and blackened earthen vessels lay near. The white seeds of the cottonwoods were flying light as feathers; plum-trees were pink in blossom; there were vines twining all about; through the openings in the foliage shone the blue of sky and red of cliff Patches of blossoming Bowers were here and there lit to brilliance by golden shafts of sunlight. The twitter of birds and hum of bees were almost drowned in the soft roar of water.


The Heritage of the Desert