| The first excerpt represents the past or something you must release, and is drawn from Long Odds by H. Rider Haggard: Kaptein. Slowly, and with the greatest care, I proceeded up the kloof,
searching every bush and tuft of grass as I went. It was wonderfully
exciting, work, for I never was sure from one moment to another but that
he would be on me. I took comfort, however, from the reflection that a
lion rarely attacks a man--rarely, I say; sometimes he does, as you will
see--unless he is cornered or wounded. I must have been nearly an hour
hunting after that lion. Once I thought I saw something move in a clump
of tambouki grass, but I could not be sure, and when I trod out the
grass I could not find him.
"At last I worked up to the head of the kloof, which made a cul-de-sac.
It was formed of a wall of rock about fifty feet high. Down this rock
Long Odds |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Criminal Sociology by Enrico Ferri: activity, instead of being continually and unprofitably menaced
with repression, will be insensibly directed into non-criminal
channels, leaving free scope for energy and the satisfaction of
individual needs, under conditions least exposed to violent
disturbance or occasions of law-breaking.
It is just this fundamental idea of penal substitutes which shows
how necessary it is that the sociologist and legislator should
have such a preparation in biology and psychology as Mr. Spencer
justly insisted on in his ``Introduction to Social Science.'' And
it is the fundamental idea rather than the substitutes themselves
that we should bear in mind if we would realise their
|
The third excerpt represents the future or something you must embrace, and is drawn from The Emerald City of Oz by L. Frank Baum: bedchamber, the Kansas girl was seated in a lovely room in Ozma's
palace in the Emerald City of Oz. When the first loving kisses and
embraces had been exchanged, the fair Ruler inquired:
"What is the matter, dear? I know something unpleasant has happened
to you, for your face was very sober when I saw it in my Magic Picture.
And whenever you signal me to transport you to this safe place, where
you are always welcome, I know you are in danger or in trouble."
Dorothy sighed.
"This time, Ozma, it isn't I," she replied. "But it's worse, I guess,
for Uncle Henry and Aunt Em are in a heap of trouble, and there seems
no way for them to get out of it--anyhow, not while they live in Kansas."
The Emerald City of Oz |
