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Today's Stichomancy for Billy Joel

The first excerpt represents the past or something you must release, and is drawn from Pivot of Civilization by Margaret Sanger:

be made, how is any human expression or education possible when women and men are taught to combat and resist their natural impulses and to despise their bodily functions?

Humanity, we are glad to realize, is rapidly freeing itself from this ``morality'' imposed upon it by its self-appointed and self- perpetuating masters. From a hundred different points the imposing edifice of this ``morality'' has been and is being attacked. Sincere and thoughtful defenders and exponents of the teachings of Christ now acknowledge the falsity of the traditional codes and their malignant influence upon the moral and physical well-being of humanity.

Ecclesiastical opposition to Birth Control on the part of certain

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Desert Gold by Zane Grey:

withering wind from the gulf. A red haze, like that of earlier sunsets, seemed to come sweeping on the wind, and it roared up the arroyo, and went bellowing into the crater, and rushed on in fury to lash the peaks.

During these hot, windy hours the desert-bound party slept in deep recesses in the lava; and if necessity brought them forth they could not remain out long. the sand burned through boots, and a touch of bare hand on lava raised a blister.

A short while before sundown the Yaqui went forth to build a campfire, and soon the others came out, heat-dazed, half blinded, with parching throats to allay and hunger that was


Desert Gold
The third excerpt represents the future or something you must embrace, and is drawn from Salammbo by Gustave Flaubert:

Negroes, and fugitives from Rome. Beside the heavy Dorian dialect were audible the resonant Celtic syllables rattling like chariots of war, while Ionian terminations conflicted with consonants of the desert as harsh as the jackal's cry. The Greek might be recognised by his slender figure, the Egyptian by his elevated shoulders, the Cantabrian by his broad calves. There were Carians proudly nodding their helmet plumes, Cappadocian archers displaying large flowers painted on their bodies with the juice of herbs, and a few Lydians in women's robes, dining in slippers and earrings. Others were ostentatiously daubed with vermilion, and resembled coral statues.

They stretched themselves on the cushions, they ate squatting round


Salammbo