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Today's Stichomancy for Bob Dylan

The first excerpt represents the past or something you must release, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

Some of the halls have long been locked and barred, And some have secret doors and hard to find Till suddenly you touch them unawares, And down a sable way runs silver light. We two will search together for the keys, But not to-day. Let us sit here to-day, Since all is yours and always will be yours.

(The stars appear faintly one by one.)

K. (After a pause.) I grow a little drowsy with the dusk.

L. (Singing.)

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Horse's Tale by Mark Twain:

please with, except uncle Thomas, but I don't mind him, he's lovely; and oh, if you could hear the bugles: TOO - TOO - TOO-TOO - TOO - TOO, and so on - perfectly beautiful! Do you recognize that one? It's the first toots of the REVEILLE; it goes, dear me, SO early in the morning! - then I and every other soldier on the whole place are up and out in a minute, except uncle Thomas, who is most unaccountably lazy, I don't know why, but I have talked to him about it, and I reckon it will be better, now. He hasn't any faults much, and is charming and sweet, like Buffalo Bill, and Thunder-Bird, and Mammy Dorcas, and Soldier Boy, and Shekels, and Potter, and Sour-Mash, and - well, they're ALL that, just angels,

The third excerpt represents the future or something you must embrace, and is drawn from The Adventures of Sherlock Holmes by Arthur Conan Doyle:

applying if your hair is light red, or dark red, or anything but real bright, blazing, fiery red. Now, if you cared to apply, Mr. Wilson, you would just walk in; but perhaps it would hardly be worth your while to put yourself out of the way for the sake of a few hundred pounds.'

"Now, it is a fact, gentlemen, as you may see for yourselves, that my hair is of a very full and rich tint, so that it seemed to me that if there was to be any competition in the matter I stood as good a chance as any man that I had ever met. Vincent Spaulding seemed to know so much about it that I thought he might prove useful, so I just ordered him to put up the shutters for


The Adventures of Sherlock Holmes