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Today's Stichomancy for Bob Dylan

The first excerpt represents the past or something you must release, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

on the minds of the Montpellier students; and still more influence-- and that not altogether a good one--must Rabelais's lighter talk have had, as he lounged--so the story goes--in his dressing-gown upon the public place, picking up quaint stories from the cattle- drivers off the Cevennes, and the villagers who came in to sell their olives and their grapes, their vinegar and their vine-twig faggots, as they do unto this day. To him may be owing much of the sound respect for natural science, and much, too, of the contempt for the superstition around them, which is notable in that group of great naturalists who were boys in Montpellier at that day. Rabelais seems to have liked Rondelet, and no wonder: he was a

The second excerpt represents the present or the deciding factor of the moment, and is drawn from O Pioneers! by Willa Cather:

important things done. He liked to keep the place up, but he never got round to doing odd jobs until he had to neglect more pressing work to attend to them. In the middle of the wheat harvest, when the grain was over-ripe and every hand was needed, he would stop to mend fences or to patch the harness; then dash down to the field and overwork and be laid up in bed for a week. The two boys balanced each other, and they pulled well together. They had been good friends since they were children. One seldom


O Pioneers!
The third excerpt represents the future or something you must embrace, and is drawn from Study of a Woman by Honore de Balzac:

slipped into this page of the glorious book of his life.

When Madame de Listomere saw her husband ushering in Eugene she could not help blushing. The young baron saw that sudden color. If the most humble-minded man retains in the depths of his soul a certain conceit of which he never rids himself, any more than a woman ever rids herself of coquetry, who shall blame Eugene if he did say softly in his own mind: "What! that fortress, too?" So thinking, he posed in his cravat. Young men may not be grasping but they like to get a new coin in their collection.

Monsieur de Listomere seized the "Gazette de France," which he saw on the mantelpiece, and carried it to a window, to obtain, by