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Today's Stichomancy for Bob Dylan

The first excerpt represents the past or something you must release, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

carriages stand shining by the wayside. Scarce a word or two was uttered at our parting, and these regarded business: a silent grasping of hands, a turning of faces aside, and the thing was over; the horses broke into a trot, the lamplight sped like Will- o'-the-Wisp upon the broken moorland, it dipped beyond Stony Brae; and there were Macconochie and I alone with our lantern on the road. There was one thing more to wait for, and that was the reappearance of the coach upon Cartmore. It seems they must have pulled up upon the summit, looked back for a last time, and seen our lantern not yet moved away from the place of separation. For a lamp was taken from a carriage, and waved three times up and down

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Misalliance by George Bernard Shaw:

LORD SUMMERHAYS. Do you never condescend to do as common people do? For instance, do you not pray as common people pray?

LINA. Common people do not pray, my lord: they only beg.

LORD SUMMERHAYS. You never ask for anything?

LINA. No.

LORD SUMMERHAYS. Then why do you pray?

LINA. To remind myself that I have a soul.

TARLETON. _[walking about]_ True. Fine. Good. Beautiful. All this damned materialism: what good is it to anybody? Ive got a soul: dont tell me I havnt. Cut me up and you cant find it. Cut up a steam engine and you cant find the steam. But, by George, it makes the

The third excerpt represents the future or something you must embrace, and is drawn from The Time Machine by H. G. Wells:

specimen and all. If you'll forgive my leaving you now?'

I consented, hardly comprehending then the full import of his words, and he nodded and went on down the corridor. I heard the door of the laboratory slam, seated myself in a chair, and took up a daily paper. What was he going to do before lunch-time? Then suddenly I was reminded by an advertisement that I had promised to meet Richardson, the publisher, at two. I looked at my watch, and saw that I could barely save that engagement. I got up and went down the passage to tell the Time Traveller.

As I took hold of the handle of the door I heard an exclamation, oddly truncated at the end, and a click and a thud.


The Time Machine