| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Far From the Madding Crowd by Thomas Hardy: higher tastes and sensations which it entailed. But
limitation of the capacity is never recognized as a loss
by the loser therefrom: in this attribute moral or
aesthetic poverty contrasts plausibly with material, since
those who suffer do not mind it, whilst those who mind
it soon cease to suffer. It is not a denial of anything
to have been always without it, and what Troy had
never enjoyed he did not miss; but, being fully
conscious that what sober people missed he enjoyed,
his capacity, though really less, seemed greater than
theirs.
 Far From the Madding Crowd |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Black Dwarf by Walter Scott: mind ye said yoursell, the first time ye ever saw him, that he
was mair like a bogle than a living thing."
"Hout, mother," said Hobbie, "Elshie's no that bad a chield; he's
a grewsome spectacle for a crooked disciple, to be sure, and a
rough talker, but his bark is waur than his bite; sae, if I had
anes something to eat, for I havena had a morsel ower my throat
this day, I wad streek mysell down for twa or three hours aside
the beast, and be on and awa' to Mucklestane wi' the first
skreigh o' morning."
"And what for no the night, Hobbie," said Harry, "and I will ride
wi' ye?"
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