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Today's Stichomancy for Bonnie Parker

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Agnes Grey by Anne Bronte:

and women that inhabited them. In one of these walks, it was our chance to meet Mr. Weston. This was what I had long desired; but now, for a moment, I wished either he or I were away: I felt my heart throb so violently that I dreaded lest some outward signs of emotion should appear; but I think he hardly glanced at me, and I was soon calm enough. After a brief salutation to both, he asked Matilda if she had lately heard from her sister.

'Yes,' replied she. 'She was at Paris when she wrote, and very well, and very happy.'

She spoke the last word emphatically, and with a glance impertinently sly. He did not seem to notice it, but replied, with


Agnes Grey
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tono Bungay by H. G. Wells:

he would rise slowly to his toes as a sentence unwound jerkily like a clockwork snake, and drop back on his heels at the end. They were the very gestures of our first encounter when he had stood before the empty fireplace in his minute draped parlour and talked of my future to my mother.

In those measurelessly long hot afternoons in the little shop at Wimblehurst he had talked and dreamt of the Romance of Modern Commerce. Here, surely, was his romance come true.

VIII

People say that my uncle lost his head at the crest of his fortunes, but if one may tell so much truth of a man one has in a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides by Plato:

employed by Schleiermacher of arranging the dialogues of Plato in chronological order according to what he deems the true arrangement of the ideas contained in them. (Dr. Jackson is also inclined, having constructed a theory, to make the chronology of Plato's writings dependent upon it (See J. of Philol.and elsewhere.).) It may likewise be illustrated by the ingenuity of those who employ symbols to find in Shakespeare a hidden meaning. In the three cases the error is nearly the same:--words are taken out of their natural context, and thus become destitute of any real meaning.

(4) According to Dr. Jackson's 'Later Theory,' Plato's Ideas, which were once regarded as the summa genera of all things, are now to be explained as

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Roads of Destiny by O. Henry:

down upon the daisies and things. Blinky, pass the empty oyster-can at your left to the empty gentleman at your right."

For the next ten minutes the gang of roadsters paid their undivided attention to the supper. In an old five-gallon kerosene can they had cooked a stew of potatoes, meat, and onions, which they partook of from smaller cans they had found scattered about the vacant lot.

Whistling Dick had known Boston Harry of old, and knew him to be one of the shrewdest and most successful of his brotherhood. He looked like a prosperous stock-drover or solid merchant from some country village. He was stout and hale, with a ruddy, always smoothly shaven face. His clothes were strong and neat, and he gave special attention