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Today's Stichomancy for Bonnie Parker

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lin McLean by Owen Wister:

Indians go again, still they made the best of it. You must not waste Indians. Indians were a source of revenue to so many people in Washington and elsewhere. But the process of catching Indians, armed with weapons sold them by friends of the Interior Department, was not entirely harmless. Therefore there came to be graves in the Drybone graveyard. The pale weather-washed head-boards told all about it: "Sacred to the memory of Private So-and-So, killed on the Dry Cheyenne, May 6, 1875." Or it would be, "Mrs. So-and-So, found scalped on Sage Creek." But even the financiers at Washington could not wholly preserve the Indian in Drybone's neighborhood. As the cattle by ten thousands came treading with the next step of civilization into this huge domain, the soldiers were

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Soul of the Far East by Percival Lowell:

Buddhism is equally such is perhaps not so generally appreciated. But just as the gospel of the disciple who loved and was loved the most begins its story by telling us of the Light that came into the world, so none the less surely could the Light of Asia but be also its warmth. Half of the teachings of Buddhism are spent in inculcating charity. Not only to men is man enjoined to show kindliness, but to all other animals as well. The people practise what their scriptures preach. The effect indirectly on the condition of the brutes is almost as marked as its more direct effect on the character of mankind. In heart, at least, Buddhism and Christianity are very close.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moon-Face and Other Stories by Jack London:

properties and possibilities of invisibility. A perfectly black object, he contended, would elude and defy the acutest vision.

"Color is a sensation," he was saying. "It has no objective reality. Without light, we can see neither colors nor objects themselves. All objects are black in the dark, and in the dark it is impossible to see them. If no light strikes upon them, then no light is flung back from them to the eye, and so we have no vision-evidence of their being."

"But we see black objects in daylight," I objected.

"Very true," he went on warmly. "And that is because they are not perfectly black. Were they perfectly black, absolutely black, as it were, we could not see them--ay, not in the blaze of a thousand suns could we see them! And so I

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Northanger Abbey by Jane Austen:

or unkindness of slight acquaintance like the Tilneys ought to have with her, while she could preserve the good opinion and affection of her earliest friends. There was a great deal of good sense in all this; but there are some situations of the human mind in which good sense has very little power; and Catherine's feelings contradicted almost every position her mother advanced. It was upon the behaviour of these very slight acquaintance that all her present happiness depended; and while Mrs. Morland was successfully confirming her own opinions by the justness of her own representations, Catherine was


Northanger Abbey