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Today's Stichomancy for Brad Pitt

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Shakespeare's Sonnets by William Shakespeare:

Whilst, like a willing patient, I will drink, Potions of eisel 'gainst my strong infection; No bitterness that I will bitter think, Nor double penance, to correct correction. Pity me then, dear friend, and I assure ye, Even that your pity is enough to cure me.

CXII

Your love and pity doth the impression fill, Which vulgar scandal stamp'd upon my brow; For what care I who calls me well or ill, So you o'er-green my bad, my good allow?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Devil's Dictionary by Ambrose Bierce:

divines, ecclesiastics, popes, parsons, canons, monks, mollahs, voodoos, presbyters, hierophants, prelates, obeah-men, abbes, nuns, missionaries, exhorters, deacons, friars, hadjis, high-priests, muezzins, brahmins, medicine-men, confessors, eminences, elders, primates, prebendaries, pilgrims, prophets, imaums, beneficiaries, clerks, vicars-choral, archbishops, bishops, abbots, priors, preachers, padres, abbotesses, caloyers, palmers, curates, patriarchs, bonezs, santons, beadsmen, canonesses, residentiaries, diocesans, deans, subdeans, rural deans, abdals, charm-sellers, archdeacons, hierarchs, class-leaders, incumbents, capitulars, sheiks, talapoins, postulants, scribes, gooroos, precentors, beadles, fakeers, sextons,


The Devil's Dictionary
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass:

his own Narrative, in his own style, and according to the best of his ability, rather than to employ some one else. It is, therefore, entirely his own produc- tion; and, considering how long and dark was the ca- reer he had to run as a slave,--how few have been his opportunities to improve his mind since he broke his iron fetters,--it is, in my judgment, highly creditable to his head and heart. He who can peruse it without a tearful eye, a heaving breast, an afflicted spirit,-- without being filled with an unutterable abhorrence of slavery and all its abettors, and animated with a


The Narrative of the Life of Frederick Douglass: An American Slave
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ten Years Later by Alexandre Dumas:

"I should like to have something to drink," said the musketeer, raising his head piteously.

Planchet ran to the cupboard, and poured out to D'Artagnan some wine in a large glass. D'Artagnan examined the bottle.

"What wine is that?" asked he.

"Alas! that which you prefer, monsieur," said Planchet; "that good old Anjou wine, which was one day nearly costing us all so dear."

"Ah!" replied D'Artagnan, with a melancholy smile, "Ah! my poor Planchet, ought I still to drink good wine?"

"Come! my dear master," said Planchet, making a superhuman


Ten Years Later