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Today's Stichomancy for Brad Pitt

The first excerpt represents the past or something you must release, and is drawn from Gobseck by Honore de Balzac:

the usurer, whom his victims (his clients, as he styled them) were wont to call Daddy Gobseck, perhaps ironically, perhaps by way of antiphrasis. He was sitting in his armchair, motionless as a statue, staring fixedly at the mantel-shelf, where he seemed to read the figures of his statements. A lamp, with a pedestal that had once been green, was burning in the room; but so far from taking color from its smoky light, his face seemed to stand out positively paler against the background. He pointed to a chair set for me, but not a word did he say.

" 'What thoughts can this being have in his mind?' said I to myself. 'Does he know that a God exists; does he know there are such things as


Gobseck
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

--yes. That's all settled. It needn't be talked about yet, but there's no reason to keep a secret from you . . . . . Yes--thanks! thanks! But let me tell you my story.

"Then, on that night things were very much in the air. My position was a very delicate one. I was keenly anxious to get some definite word from Gurker, but was hampered by Ralphs' presence. I was using the best power of my brain to keep that light and careless talk not too obviously directed to the point that concerns me. I had to. Ralphs' behaviour since has more than justified my caution . . . . . Ralphs, I knew, would leave us beyond the Kensington High Street, and then I could surprise Gurker by a

The third excerpt represents the future or something you must embrace, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

one through which one could no longer move in a penumbra, and he let in a burst of light with the direct query: "Won't you explain what you mean?"

Mrs. Vervain sat silent, not provokingly, as though to prolong his distress, but as if, in the attenuated phraseology he had taught her, it was difficult to find words robust enough to meet his challenge. It was the first time he had ever asked her to explain anything; and she had lived so long in dread of offering elucidations which were not wanted, that she seemed unable to produce one on the spot.

At last she said slowly: "She came to find out if you were really