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Today's Stichomancy for Brad Pitt

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mirror of the Sea by Joseph Conrad:

men and the dismantled hull of the brig we were leaving behind, in the large and placid embrace of its quietness, half lost in the fair haze, as if in a dream of infinite and tender clemency. There was no frown, no wrinkle on its face, not a ripple. And the run of the slight swell was so smooth that it resembled the graceful undulation of a piece of shimmering gray silk shot with gleams of green. We pulled an easy stroke; but when the master of the brig, after a glance over his shoulder, stood up with a low exclamation, my men feathered their oars instinctively, without an order, and the boat lost her way.

He was steadying himself on my shoulder with a strong grip, while


The Mirror of the Sea
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

made up his mind to go in.

At the table a man unlike ordinary people was sitting motionless. He was a skeleton with the skin drawn tight over his bones, with long curls like a woman's and a shaggy beard. His face was yellow with an earthy tint in it, his cheeks were hollow, his back long and narrow, and the hand on which his shaggy head was propped was so thin and delicate that it was dreadful to look at it. His hair was already streaked with silver, and seeing his emaciated, aged-looking face, no one would have believed that he was only forty. He was asleep. . . . In front of his bowed head there lay on the table a sheet of paper on which there was something


The Schoolmistress and Other Stories
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Meno by Plato:

century, who to themselves appeared to be working out independently the enquiry into all truth, were unconscious. They stood in a new relation to theology and natural philosophy, and for a time maintained towards both an attitude of reserve and separation. Yet the similarities between modern and ancient thought are greater far than the differences. All philosophy, even that part of it which is said to be based upon experience, is really ideal; and ideas are not only derived from facts, but they are also prior to them and extend far beyond them, just as the mind is prior to the senses.

Early Greek speculation culminates in the ideas of Plato, or rather in the single idea of good. His followers, and perhaps he himself, having arrived

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Adventures of Huckleberry Finn by Mark Twain:

told him a many a time 't I wouldn't trade places with him; for, says I, a sailor's life's the life for me, and I'm derned if I'D live two mile out o' town, where there ain't nothing ever goin' on, not for all his spon- dulicks and as much more on top of it. Says I --"

I broke in and says:

"They're in an awful peck of trouble, and --"

"WHO is?"

"Why, pap and mam and sis and Miss Hooker; and if you'd take your ferryboat and go up there --"

"Up where? Where are they?"


The Adventures of Huckleberry Finn