| The first excerpt represents the past or something you must release, and is drawn from Scaramouche by Rafael Sabatini: THE WINDMILL
There was between Nantes and Rennes an established service of three
stage-coaches weekly in each direction, which for a sum of
twenty-four livres - roughly, the equivalent of an English guinea
- would carry you the seventy and odd miles of the journey in some
fourteen hours. Once a week one of the diligences going in each
direction would swerve aside from the highroad to call at Gavrillac,
to bring and take letters, newspapers, and sometimes passengers. It
was usually by this coach that Andre-Louis came and went when the
occasion offered. At present, however, he was too much in haste to
lose a day awaiting the passing of that diligence. So it was on a
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Love Songs by Sara Teasdale: IV
A November Night
Love Songs
I
Barter
Life has loveliness to sell,
All beautiful and splendid things,
Blue waves whitened on a cliff,
Soaring fire that sways and sings,
And children's faces looking up
Holding wonder like a cup.
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The third excerpt represents the future or something you must embrace, and is drawn from Pierre Grassou by Honore de Balzac: with the worthy artist. They were to come again two days later. As
they went away the father told Virginie to walk in front; but in spite
of this separation, she overheard the following words, which naturally
awakened her curiosity.
"Decorated--thirty-seven years old--an artist who gets orders--puts
his money with our notary. We'll consult Cardot. Hein! Madame de
Fougeres! not a bad name--doesn't look like a bad man either! One
might prefer a merchant; but before a merchant retires from business
one can never know what one's daughter may come to; whereas an
economical artist--and then you know we love Art-- Well, we'll see!"
While the Vervelle family discussed Pierre Grassou, Pierre Grassou
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