| The first excerpt represents the past or something you must release, and is drawn from Lemorne Versus Huell by Elizabeth Drew Stoddard: "We'll gain it for your portion yet, Miss Margaret," said Mr. Van
Horn, nodding to Mr. Uxbridge, and bidding William drive on. He
returned the next day, and we settled into the routine of hotel
life. A few mornings after, she sent me to a matinee, which was
given by some of the Opera people, who were in Newport
strengthening the larynx with applications of brine. When the
concert was half over, and the audience were making the usual hum
and stir, I saw Mr. Uxbridge against a pillar, with his hands
incased in pearl-colored gloves, and holding a shiny hat. He turned
half away when he caught my eye, and then darted toward me.
"You have not been much more interested in the music than you are
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Eryxias by Platonic Imitator: influence in the general tone and phraseology of the Dialogue (compare opos
melesei tis...kaka: oti pas aphron mainetai): and the writer seems to
have been acquainted with the 'Laws' of Plato (compare Laws). An incident
from the Symposium is rather clumsily introduced, and two somewhat
hackneyed quotations (Symp., Gorg.) recur. The reference to the death of
Archelaus as having occurred 'quite lately' is only a fiction, probably
suggested by the Gorgias, where the story of Archelaus is told, and a
similar phrase occurs;--ta gar echthes kai proen gegonota tauta, k.t.l.
There are several passages which are either corrupt or extremely ill-
expressed. But there is a modern interest in the subject of the dialogue;
and it is a good example of a short spurious work, which may be attributed
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The third excerpt represents the future or something you must embrace, and is drawn from The Brother of Daphne by Dornford Yates: against the windows.
Presently I stole a glance at my companion. She was leaning back
in her comer, still breathing hard with her eyes shut. But she
seemed to know I was looking at her, for the soft lips parted in
a smile. But she did not open her eyes.
I laid a hand on her arm.
"How's the ankle?" I said. "You turned it, didn't you?"
"Yes, but it's not very bad, thanks. I think you saved my life."
I'm afraid that's putting it rather high. But you might have
been stung, so I'm thankful I was there. At the same time, I
can't help feeling that it is to my company that you owe this-
The Brother of Daphne |
