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Today's Stichomancy for Britney Spears

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Symposium by Xenophon:

to seek a partner in the training school,[34] whereby it will not be necessary for an old man like myself to strip in public?[35] All I shall need will be a seven-sofa'd chamber,[36] where I can warm to work,[37] just like the lad here who has found this room quite ample for the purpose. And in winter I shall do gymnastics[38] under cover, or when the weather is broiling under shade. . . . But what is it you keep on laughing at--the wish on my part to reduce to moderate size a paunch a trifle too rotund? Is that the source of merriment?[39] Perhaps you are not aware, my friends, that Charmides--yes! he there-- caught me only the other morning in the act of dancing?

[31] "Bearing a weighty and serious brow."


The Symposium
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Puck of Pook's Hill by Rudyard Kipling:

thick wall, so that from a distance you see the helmets of the sentries sliding back and forth like beads. Thirty feet high is the Wall, and on the Picts' side, the North, is a ditch, strewn with blades of old swords and spear-heads set in wood, and tyres of wheels joined by chains. The Little People come there to steal iron for their arrow-heads.

'But the Wall itself is not more wonderful than the town behind it. Long ago there were great ramparts and ditches on the South side, and no one was allowed to build there. Now the ramparts are partly pulled down and built over, from end to end of the Wall; making a thin

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Catriona by Robert Louis Stevenson:

honour that you will be wholly secret, not only on what has passed to- night, but in the matter of the Appin case, and I let you go free."

"I will give it till to-morrow or any other near day that you may please to set," said I. "I would not be thought too wily; but if I gave the promise without qualification your lordship would have attained his end."

"I had no thought to entrap you," said he.

"I am sure of that," said I.

"Let me see," he continued. "To-morrow is the Sabbath. Come to me on Monday by eight in the morning, and give me our promise until then."

"Freely given, my lord," said I. "And with regard to what has fallen

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

valorously over the silver pavement of the castle to where the shield was upon the wall; which in sooth tarried not for his full coming, but fell down at his feet upon the silver floor, with a mighty great and terrible ringing sound."

No sooner had these syllables passed my lips, than--as if a shield of brass had indeed, at the moment, fallen heavily upon a floor of silver--I became aware of a distinct, hollow, metallic, and clangorous, yet apparently muffled reverberation. Completely unnerved, I leaped to my feet; but the measured rocking movement of Usher was undisturbed. I rushed to the chair in which he sat. His eyes were bent fixedly before him, and throughout his whole


The Fall of the House of Usher