The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lin McLean by Owen Wister: out of the door.
"I'm turruble pleased to see yu'," he had said, immediately.
"What's happened?" said I, in some concern at his appearance.
And he piteously explained: "Why, I've been here all alone since
yesterday!"
This was indeed all; and my hasty impressions of shooting and a corpse
gave way to mirth over the child and his innocent grievance that he had
blurted out before I could get off my horse.
Since when, I inquired of him, had his own company become such a shock to
him?
"As to that," replied Mr. McLean, a thought ruffled, "when a man expects
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw: the new ones--to make Handel the starting point of a great school
of oratorio.
BAYREUTH
When the Bayreuth Festival Playhouse was at last completed, and
opened in 1876 with the first performance of The Ring, European
society was compelled to admit that Wagner was "a success."
Royal personages, detesting his music, sat out the performances
in the row of boxes set apart for princes. They all complimented
him on the astonishing "push" with which, in the teeth of all
obstacles, he had turned a fabulous and visionary project into a
concrete commercial reality, patronized by the public at a pound
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