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Today's Stichomancy for Brittany Murphy

The first excerpt represents the past or something you must release, and is drawn from The Vicar of Tours by Honore de Balzac:

years been possessed by a desire which grew stronger day by day. This desire, often formed by old persons and even by pretty women, had become in Mademoiselle Gamard's soul as ardent a longing as that of Birotteau for Chapeloud's apartment; and it was strengthened by all those feelings of pride, egotism, envy, and vanity which pre-exist in the breasts of worldly people.

This history is of all time; it suffices to widen slightly the narrow circle in which these personages are about to act to find the coefficient reasons of events which take place in the very highest spheres of social life.

Mademoiselle Gamard spent her evenings by rotation in six or eight

The second excerpt represents the present or the deciding factor of the moment, and is drawn from In the South Seas by Robert Louis Stevenson:

counsel, for as soon as he heard the details of these disturbances he was in a position to explain their nature. 'Your child,' said he, 'must certainly die. This is the evil spirit of our island who lies in wait to eat the spirits of the newly dead.' And then he went on to expatiate on the strangeness of the spirit's conduct. He was not usually, he explained, so open of assault, but sat silent on the house-top waiting, in the guise of a bird, while within the people tended the dying and bewailed the dead, and had no thought of peril. But when the day came and the doors were opened, and men began to go abroad, blood-stains on the wall betrayed the tragedy.

The third excerpt represents the future or something you must embrace, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

sensitiveness and his high ideals of honour, a daughter married to a rich husband. But he had another child, a son without any sense of honour at all, who, although also an officer, failed to live in a manner worthy his position. This son was now in Marburg, where there were no expensive pleasures, no all-night cafes and gambling dens, for a man to lose his time in, his money, and his honour also.

For such must have been the case with Colonel Leining's son before his exile to Marburg. The old butler had hinted at the truth. The portrait drawn by Herbert Thorne, a picture of such technical excellence that it was doubtless a good likeness also, had given an ugly illustration to Franz's remarks. And there was something even