| The first excerpt represents the past or something you must release, and is drawn from The Vicar of Tours by Honore de Balzac: years been possessed by a desire which grew stronger day by day. This
desire, often formed by old persons and even by pretty women, had
become in Mademoiselle Gamard's soul as ardent a longing as that of
Birotteau for Chapeloud's apartment; and it was strengthened by all
those feelings of pride, egotism, envy, and vanity which pre-exist in
the breasts of worldly people.
This history is of all time; it suffices to widen slightly the narrow
circle in which these personages are about to act to find the
coefficient reasons of events which take place in the very highest
spheres of social life.
Mademoiselle Gamard spent her evenings by rotation in six or eight
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from In the South Seas by Robert Louis Stevenson: counsel, for as soon as he heard the details of these disturbances
he was in a position to explain their nature. 'Your child,' said
he, 'must certainly die. This is the evil spirit of our island who
lies in wait to eat the spirits of the newly dead.' And then he
went on to expatiate on the strangeness of the spirit's conduct.
He was not usually, he explained, so open of assault, but sat
silent on the house-top waiting, in the guise of a bird, while
within the people tended the dying and bewailed the dead, and had
no thought of peril. But when the day came and the doors were
opened, and men began to go abroad, blood-stains on the wall
betrayed the tragedy.
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The third excerpt represents the future or something you must embrace, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner: sensitiveness and his high ideals of honour, a daughter married to
a rich husband. But he had another child, a son without any sense
of honour at all, who, although also an officer, failed to live in
a manner worthy his position. This son was now in Marburg, where
there were no expensive pleasures, no all-night cafes and gambling
dens, for a man to lose his time in, his money, and his honour also.
For such must have been the case with Colonel Leining's son before
his exile to Marburg. The old butler had hinted at the truth. The
portrait drawn by Herbert Thorne, a picture of such technical
excellence that it was doubtless a good likeness also, had given an
ugly illustration to Franz's remarks. And there was something even
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